<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Indie Outlook]]></provider_name><provider_url><![CDATA[http://indie-outlook.com]]></provider_url><author_name><![CDATA[Indie Outlook]]></author_name><author_url><![CDATA[https://indie-outlook.com/author/mattmovieman/]]></author_url><title><![CDATA[Indie Outlook Picks the 2013&nbsp;Nominees]]></title><type><![CDATA[link]]></type><html><![CDATA[<div data-shortcode="caption" id="attachment_857" style="width: 1034px" class="wp-caption aligncenter"><a href="https://indieoutlook.files.wordpress.com/2013/12/1185805_689467371068185_18397.jpg"><img data-attachment-id="857" data-permalink="https://indie-outlook.com/2013/12/19/indie-outlook-picks-the-2013-nominees/1185805_689467371068185_18397/" data-orig-file="https://indieoutlook.files.wordpress.com/2013/12/1185805_689467371068185_18397.jpg" data-orig-size="960,720" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="1185805_689467371068185_18397" data-image-description="&lt;p&gt;Shailene Woodley in James Ponsoldt’s “The Spectacular Now.” Courtesy of A24.&lt;/p&gt;
" data-medium-file="https://indieoutlook.files.wordpress.com/2013/12/1185805_689467371068185_18397.jpg?w=300" data-large-file="https://indieoutlook.files.wordpress.com/2013/12/1185805_689467371068185_18397.jpg?w=960" class="size-large wp-image-857" alt="Shailene Woodley in James Ponsoldt’s “The Spectacular Now.” Courtesy of A24." src="https://indieoutlook.files.wordpress.com/2013/12/1185805_689467371068185_18397.jpg?w=1024&#038;h=767" srcset="https://indieoutlook.files.wordpress.com/2013/12/1185805_689467371068185_18397.jpg 960w, https://indieoutlook.files.wordpress.com/2013/12/1185805_689467371068185_18397.jpg?w=150&amp;h=113 150w, https://indieoutlook.files.wordpress.com/2013/12/1185805_689467371068185_18397.jpg?w=300&amp;h=225 300w, https://indieoutlook.files.wordpress.com/2013/12/1185805_689467371068185_18397.jpg?w=768&amp;h=576 768w" sizes="(max-width: 960px) 100vw, 960px"   /></a><p class="wp-caption-text">Shailene Woodley in James Ponsoldt’s “The Spectacular Now.” Courtesy of A24.</p></div>
<p>As awards groups around the globe scramble to assemble their list of nominees in all the major categories, Indie Outlook couldn’t resist putting together its own. If Indie Outlook picked the nominees, they would look something like this. Notable additions to the usual categories are Best Performer Under 18 (which the Academy should add as soon as possible) and Best Cameo, as well as seven special mentions&#8230;</p>
<p>&nbsp;</p>
<p><strong>BEST PICTURE</strong></p>
<p>Her</p>
<p>In the Family</p>
<p>Short Term 12</p>
<p>The Spectacular Now</p>
<p>12 Years a Slave</p>
<p>&nbsp;</p>
<p><strong>BEST DIRECTOR</strong></p>
<p>Destin Cretton, Short Term 12</p>
<p>Spike Jonze, Her</p>
<p>Abdellatif Kechiche, Blue Is the Warmest Color</p>
<p>Steve McQueen, 12 Years a Slave</p>
<p>Patrick Wang, In the Family</p>
<p>&nbsp;</p>
<p><strong>BEST ACTOR</strong></p>
<p>Leonardo DiCaprio, The Wolf of Wall Street</p>
<p>Chiwetel Ejiofor, 12 Years a Slave</p>
<p>Oscar Isaac, Inside Llewyn Davis</p>
<p>Mads Mikkelsen, The Hunt</p>
<p>Joaquin Phoenix, Her</p>
<p>&nbsp;</p>
<p><strong>BEST ACTRESS</strong></p>
<p>Cate Blanchett, Blue Jasmine</p>
<p>Adèle Exarchopoulos, Blue Is the Warmest Color</p>
<p>Scarlett Johansson, Her</p>
<p>Brie Larson, Short Term 12</p>
<p>Shailene Woodley, The Spectacular Now</p>
<p>&nbsp;</p>
<p><strong>BEST SUPPORTING ACTOR</strong></p>
<p>AJ Bowen, Grow Up, Tony Phillips</p>
<p>Michael Fassbender, 12 Years a Slave</p>
<p>James Gandolfini, Enough Said</p>
<p>Brian Murray, In the Family</p>
<p>Keith Stanfield, Short Term 12</p>
<p>&nbsp;</p>
<p><strong>BEST SUPPORTING ACTRESS</strong></p>
<p>Kaitlyn Dever, Short Term 12</p>
<p>Jaclyn Hennell, Black Box</p>
<p>Lupita Nyong’o, 12 Years a Slave</p>
<p>Léa Seydoux, Blue Is the Warmest Color</p>
<p>June Squibb, Nebraska</p>
<p>&nbsp;</p>
<p><strong>BEST PERFORMER UNDER 18</strong></p>
<p>Natasha Calis, The Harvest</p>
<p>Perla Haney-Jardine, Future Weather</p>
<p>Rachel Mwanza, War Witch</p>
<p>Tye Sheridan, Mud</p>
<p>Annika Wedderkopp, The Hunt</p>
<p>&nbsp;</p>
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<p>&nbsp;</p>
<p><strong>BEST CAMEO</strong></p>
<p>Michael Cera, This Is the End</p>
<p>Adam Driver, Inside Llewyn Davis</p>
<p>Spike Jonze, Her</p>
<p>Leslie Mann, The Bling Ring</p>
<p>Matthew McConaughey, The Wolf of Wall Street</p>
<p>&nbsp;</p>
<p><strong>BEST FOREIGN FILM</strong></p>
<p>Blue Is the Warmest Color</p>
<p>A Hijacking</p>
<p>The Hunt</p>
<p>Stray Dogs</p>
<p>War Witch</p>
<p>&nbsp;</p>
<p><strong>BEST DOCUMENTARY</strong></p>
<p>The Act of Killing</p>
<p>Blackfish</p>
<p>Dirty Wars</p>
<p>Purgatorio</p>
<p>Stories We Tell</p>
<p>&nbsp;</p>
<p><strong>BEST FIRST FEATURE</strong></p>
<p>“Fruitvale Station,” Ryan Coogler</p>
<p>“A Hijacking,” Tobias Lindholm</p>
<p>“In a World,” Lake Bell</p>
<p>“In the Family,” Patrick Wang</p>
<p>“Sun Don’t Shine,” Amy Seimetz</p>
<p>&nbsp;</p>
<p><strong>BEST ORIGINAL SCREENPLAY</strong></p>
<p>Noah Baumbach and Greta Gerwig, Frances Ha</p>
<p>Joel &amp; Ethan Coen, Inside Llewyn Davis</p>
<p>Spike Jonze, Her</p>
<p>Bob Nelson, Nebraska</p>
<p>Patrick Wang, In the Family</p>
<p>&nbsp;</p>
<p><strong>BEST ADAPTED SCREENPLAY</strong></p>
<p>Destin Cretton, Short Term 12</p>
<p>Julie Delpy, Ethan Hawke and Richard Linklater, Before Midnight</p>
<p>Scott Neustadter and Michael H. Weber, The Spectacular Now</p>
<p>John Ridley, 12 Years a Slave</p>
<p>Terrence Winter, The Wolf of Wall Street</p>
<p>&nbsp;</p>
<p><strong>BEST CINEMATOGRAPHY</strong></p>
<p>Frank Barrera, In the Family</p>
<p>Sean Bobbitt, 12 Years a Slave</p>
<p>Shane Carruth, Upstream Color</p>
<p>Sofian El Fani, Blue Is the Warmest Color</p>
<p>Emmanuel Lubezki, Gravity</p>
<p>&nbsp;</p>
<p><strong>BEST EDITING</strong></p>
<p>Jeff Buchanan and Eric Zumbrunnen, Her</p>
<p>Shane Carruth and David Lowery, Upstream Color</p>
<p>Mike Munn, Stories We Tell</p>
<p>Darrin Navarro, The Spectacular Now</p>
<p>Joe Walker, 12 Years a Slave</p>
<p>&nbsp;</p>
<p><strong>BEST PRODUCTION DESIGN</strong></p>
<p>Her</p>
<p>Inside Llewyn Davis</p>
<p>Nebraska</p>
<p>Reality</p>
<p>12 Years a Slave</p>
<p>&nbsp;</p>
<p><strong>BEST COSTUME DESIGN</strong></p>
<p>American Hustle</p>
<p>The Great Gatsby</p>
<p>The Hunger Games: Catching Fire</p>
<p>Inside Llewyn Davis</p>
<p>12 Years a Slave</p>
<p>&nbsp;</p>
<p><strong>BEST SCORE</strong></p>
<p>Arcade Fire, Her</p>
<p>Shane Carruth, Upstream Color</p>
<p>David Harrington, Dirty Wars</p>
<p>Daniel Hart, Ain’t Them Bodies Saints</p>
<p>Orange Mighty Trio, All the Light in the Sky</p>
<p>&nbsp;</p>
<p><strong>BEST SONG</strong></p>
<p>“Amen,” All Is Lost</p>
<p>“The Lights,” Ain’t Them Bodies Saints</p>
<p>“Please Mr. Kennedy,” Inside Llewyn Davis</p>
<p>“So You Know What It’s Like,” Short Term 12</p>
<p>“Supersymmetry,” Her</p>
<p>&nbsp;</p>
<p><strong>BEST SOUND</strong></p>
<p>All Is Lost</p>
<p>The Conjuring</p>
<p>Gravity</p>
<p>Lone Survivor</p>
<p>Upstream Color</p>
<p>&nbsp;</p>
<p><strong>BEST VISUAL EFFECTS</strong></p>
<p>Evil Dead</p>
<p>Gravity</p>
<p>Heli</p>
<p>Her</p>
<p>Lone Survivor</p>
<p>&nbsp;</p>
<p><strong>Seven Special Mentions</strong></p>
<p><strong>BEST ENSEMBLE</strong></p>
<p>&#8220;Kill Your Darlings&#8221; featuring Daniel Radcliffe, Dane DeHaan, Michael C. Hall, Jack Huston, Ben Foster, David Cross, Jennifer Jason Leigh and Elizabeth Olsen</p>
<p><strong>BEST COMEBACK</strong></p>
<p>Tom Hanks in “Captain Phillips”</p>
<p><strong>BEST USE OF MUSIC</strong></p>
<p>&#8220;Saving Mr. Banks,&#8221; John Lee Hancock</p>
<p><strong>BEST FILM NOT IN THEATERS</strong></p>
<p>&#8220;Magic Magic,&#8221; Sebastián Silva</p>
<p><strong>BEST ANIMATED FILM</strong></p>
<p>&#8220;Is the Man Who Is Tall Happy?&#8221; Michel Gondry</p>
<p><strong>BEST SHORT FILM</strong></p>
<p>&#8220;Dotty,&#8221; Mick Andrews and Brett O&#8217;Gorman</p>
<p><strong>WORST FILM OF THE YEAR</strong></p>
<p>&#8220;Man of Steel,&#8221; Zack Snyder</p>
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