<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Indie Outlook]]></provider_name><provider_url><![CDATA[http://indie-outlook.com]]></provider_url><author_name><![CDATA[Indie Outlook]]></author_name><author_url><![CDATA[https://indie-outlook.com/author/mattmovieman/]]></author_url><title><![CDATA[Top 100 Favorite&nbsp;Films]]></title><type><![CDATA[link]]></type><html><![CDATA[<div data-shortcode="caption" id="attachment_1030" style="width: 1034px" class="wp-caption aligncenter"><a href="https://indieoutlook.files.wordpress.com/2014/05/dbb2040.jpg"><img data-attachment-id="1030" data-permalink="https://indie-outlook.com/2014/05/13/1029/dbb2040/" data-orig-file="https://indieoutlook.files.wordpress.com/2014/05/dbb2040.jpg" data-orig-size="640,352" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="dbb2040" data-image-description="&lt;p&gt;Julian Schnabel’s “The Diving Bell and the Butterfly.” Courtesy of Miramax.&lt;/p&gt;
" data-medium-file="https://indieoutlook.files.wordpress.com/2014/05/dbb2040.jpg?w=300" data-large-file="https://indieoutlook.files.wordpress.com/2014/05/dbb2040.jpg?w=640" class="size-large wp-image-1030" src="https://indieoutlook.files.wordpress.com/2014/05/dbb2040.jpg?w=1024&#038;h=562" alt="Julian Schnabel’s “The Diving Bell and the Butterfly.” Courtesy of Miramax." srcset="https://indieoutlook.files.wordpress.com/2014/05/dbb2040.jpg 640w, https://indieoutlook.files.wordpress.com/2014/05/dbb2040.jpg?w=150&amp;h=83 150w, https://indieoutlook.files.wordpress.com/2014/05/dbb2040.jpg?w=300&amp;h=165 300w" sizes="(max-width: 640px) 100vw, 640px"   /></a><p class="wp-caption-text">Julian Schnabel’s “The Diving Bell and the Butterfly.” Courtesy of Miramax.</p></div>
<p class="p1"><span class="s1">I was recently asked by a friend to rank my Top Five Favorite Films. It was so daunting to limit my list to only five titles that I decided to add 95 more. This is an ever-evolving list and does not represent the “best films” I’ve seen (though many of my picks are certainly among the greatest films of all time). Arthur Penn and Paul Thomas Anderson are included in the small handful of directors whose names pop up more than once (the others are Allen, Herzog, Hitchcock, Kubrick, Lynch, Scorsese, Spielberg and Wilder).</span></p>
<p class="p1"><span class="s1"><strong>100. The Room (2003)</strong> Tommy Wiseau</span></p>
<p class="p3"><span class="s1">The funniest movie ever accidentally made.</span></p>
<p class="p1"><strong><span class="s2">99. </span></strong><span class="s1"><strong>Titanic (1997)</strong> James Cameron</span></p>
<p class="p3"><span class="s1">The last half is big-budget Hollywood filmmaking at its finest.</span></p>
<p class="p1"><span class="s1"><strong>98. Life is Beautiful (1997)</strong> Roberto Benigni </span></p>
<p class="p3"><span class="s1">Gloriously old-fashioned tearjerker with Chaplinesque charm.</span></p>
<p class="p1"><span class="s1"><strong>97. To Kill a Mockingbird (1962)</strong> Robert Mulligan</span></p>
<p class="p3"><span class="s1">In the name of God, do your duty.</span></p>
<p class="p1"><span class="s1"><strong>96. The Virgin Spring (1960)</strong> Ingmar Bergman</span></p>
<p class="p3"><span class="s1">Absolutely shattering. </span></p>
<p class="p1"><strong><span class="s2">95. </span></strong><span class="s1"><strong>Kissing on the Mouth (2005)</strong> Joe Swanberg</span></p>
<p class="p3"><span class="s1">Revelatory micro-budget portrait of twentysomething sexuality.</span></p>
<p class="p1"><strong><span class="s2">94. </span></strong><span class="s1"><strong>The Wages of Fear (1955)</strong> Henri-Georges Clouzot</span></p>
<p class="p3"><span class="s1">Excruciatingly suspenseful vision of hell.</span></p>
<p class="p1"><strong><span class="s2">93. </span></strong><span class="s1"><strong>Parenthood (1989)</strong> Ron Howard</span></p>
<p class="p3"><span class="s1">A lovely mosaic of the rollercoaster known as adulthood.</span></p>
<p class="p1"><strong><span class="s2">92. </span></strong><span class="s1"><strong>A.I. Artificial Intelligence (2001)</strong> Steven Spielberg</span></p>
<p class="p3"><span class="s1">More chilling and audacious than many people think.</span></p>
<p class="p1"><strong><span class="s2">91. </span></strong><span class="s1"><strong>Plastic Bag (2009)</strong> Ramin Bahrani</span></p>
<p class="p3"><span class="s1">Does the same thing “A.I.” does, except with Werner Herzog as a plastic bag.</span></p>
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' type='text/html' width='640' height='390' src='https://www.youtube.com/embed/YDBtCb61Sd4?version=3&#038;rel=1&#038;fs=1&#038;autohide=2&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' allowfullscreen='true' style='border:0;'></iframe></span>
<p class="p1"><strong><span class="s1">90. </span></strong><span class="s2"><strong>Heidi (1937)</strong> Allan Dwan</span></p>
<p class="p2"><span class="s2">Shirley Temple at her finest.</span></p>
<p class="p1"><strong><span class="s1">89. </span></strong><span class="s2"><strong>Bad Lieutenant: Port of Call New Orleans (2009)</strong> Werner Herzog</span></p>
<p class="p2"><span class="s2">Nicolas Cage at his nuttiest.</span></p>
<p class="p1"><span class="s2"><strong>88. The Passion of Joan of Arc (1928)</strong> Carl Dreyer</span></p>
<p class="p2"><span class="s2">A performance so vivid, it might as well have been filmed yesterday.</span></p>
<p class="p1"><span class="s2"><strong>87. Cinderella (1950)</strong> Clyde Geronimi &amp; Wilfred Jackson &amp; Hamilton Luske</span></p>
<p class="p2"><span class="s2">The first film I ever saw.</span></p>
<p class="p1"><strong><span class="s1">86. </span></strong><span class="s2"><strong>Dick Tracy (1990)</strong> Warren Beatty</span></p>
<p class="p2"><span class="s2">The first “action” movie I ever saw.</span></p>
<p class="p1"><strong><span class="s1">85. </span></strong><span class="s2"><strong>The Wrestler (2008)</strong> Darren Aronofsky</span></p>
<p class="p2"><span class="s2">So raw and real it leaves you bruised.</span></p>
<p class="p1"><strong><span class="s1">84. </span></strong><span class="s2"><strong>Spirited Away (2001)</strong> Hayao Miyazaki</span></p>
<p class="p2"><span class="s2">A fantasy that feels like a fever dream.</span></p>
<p class="p1"><strong><span class="s1">83. </span></strong><span class="s2"><strong>A Tree Grows in Brooklyn (1945)</strong> Elia Kazan</span></p>
<p class="p2"><span class="s2">As lovely and fleeting as a summer breeze in September.</span></p>
<p class="p1"><strong><span class="s1">82. </span></strong><span class="s2"><strong>The Secret Garden (1993)</strong> Agnieszka Holland</span></p>
<p class="p2"><span class="s2">A place so vividly realized it occupies a part of my soul.</span></p>
<p class="p1"><strong><span class="s1">81. </span></strong><span class="s2"><strong>Superbad (2007)</strong> Greg Mottola</span></p>
<p class="p2"><span class="s2">Michael Cera IS me in high school.</span></p>
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' type='text/html' width='640' height='390' src='https://www.youtube.com/embed/fZo-du0BrsY?version=3&#038;rel=1&#038;fs=1&#038;autohide=2&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' allowfullscreen='true' style='border:0;'></iframe></span>
<p class="p1"><strong><span class="s1">80. </span></strong><span class="s2"><strong>Home Alone (1990)</strong> John Hughes</span></p>
<p class="p2"><span class="s2">I know every single line of this movie. Every. Single. Line.</span></p>
<p class="p1"><strong><span class="s1">79. </span></strong><span class="s2"><strong>Grey Gardens (1975)</strong> Albert &amp; David Maysles</span></p>
<p class="p2"><span class="s2">Amazing real-life portrait of fascinating eccentrics.</span></p>
<p class="p1"><strong><span class="s1">78. </span></strong><span class="s2"><strong>Synecdoche, New York (2008)</strong> Charlie Kaufman</span></p>
<p class="p2"><span class="s2">The most achingly poignant film of Philip Seymour Hoffman’s career.</span></p>
<p class="p1"><strong><span class="s1">77. </span></strong><span class="s2"><strong>The Wizard of Oz (1939)</strong> Victor Fleming</span></p>
<p class="p2"><span class="s2">Hearing the opening music takes me back to my earliest memory.</span></p>
<p class="p1"><strong><span class="s1">76. </span></strong><span class="s2"><strong>Blue is the Warmest Color (2013)</strong> Abdellatif Kechiche</span></p>
<p class="p2"><span class="s2">Transcendently powerful study of a young woman’s evolving identity.</span></p>
<p class="p1"><strong><span class="s1">75. </span></strong><span class="s2"><strong>The Lion in Winter (1968)</strong> Anthony Harvey</span></p>
<p class="p2"><span class="s2">Every family has its ups and downs.</span></p>
<p class="p1"><strong><span class="s1">74. </span></strong><span class="s2"><strong>Bonnie and Clyde (1967)</strong> Arthur Penn</span></p>
<p class="p2"><span class="s2">The last few minutes of this film changed cinema forever.</span></p>
<p class="p1"><strong><span class="s1">73. </span></strong><span class="s2"><strong>The Grapes of Wrath (1940)</strong> John Ford</span></p>
<p class="p2"><span class="s2">As relevant as ever.</span></p>
<p class="p1"><strong><span class="s1">72. </span></strong><span class="s2"><strong>The Last Temptation of Christ (1988)</strong> Martin Scorsese</span></p>
<p class="p2"><span class="s2">The most daring, provocative and inspiring film ever made about Christ.</span></p>
<p class="p1"><strong><span class="s1">71. </span></strong><span class="s2"><strong>Sister Act (1992)</strong> Emile Ardolino</span></p>
<p class="p2"><span class="s2">There are so many ways to worship, and so many ways to irritate Maggie Smith.</span></p>
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' type='text/html' width='640' height='390' src='https://www.youtube.com/embed/rHASQg8fR0s?version=3&#038;rel=1&#038;fs=1&#038;autohide=2&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' allowfullscreen='true' style='border:0;'></iframe></span>
<p class="p1"><strong><span class="s1">70. </span></strong><span class="s2"><strong>Inherit the Wind (1960)</strong> Stanley Kramer</span></p>
<p class="p2"><span class="s2">My favorite courtroom drama.</span></p>
<p class="p1"><strong><span class="s1">69. </span></strong><span class="s2"><strong>Contact (1997)</strong> Robert Zemeckis</span></p>
<p class="p2"><span class="s2">Oh how I enjoy losing myself in this narrative of big ideas.</span></p>
<p class="p1"><strong><span class="s1">68. </span></strong><span class="s2"><strong>Ever After (1998)</strong> Andy Tennant</span></p>
<p class="p2"><span class="s2">A feminist faerie tale with a startling dose of fire and spirit.</span></p>
<p class="p1"><strong><span class="s1">67. </span></strong><span class="s2"><strong>The Muppet Movie (1979)</strong> James Frawley</span></p>
<p class="p2"><span class="s2">Life’s like a movie, write your own ending.</span></p>
<p class="p1"><strong><span class="s1">66. </span></strong><span class="s2"><strong>Enter the Void (2009)</strong> </span><span class="s1">Gaspar No</span><span class="s2">é</span></p>
<p class="p2"><span class="s2">Death’s like a movie, traveling back to your beginning.</span></p>
<p class="p1"><strong><span class="s1">65. </span></strong><span class="s2"><strong>A Woman Under the Influence (1974)</strong> John Cassavetes</span></p>
<p class="p2"><span class="s2">Acting that will blow the roof off your theater.</span></p>
<p class="p1"><strong><span class="s1">64. </span></strong><span class="s2"><strong>Pan&#8217;s Labyrinth (2006)</strong> Guillermo del Toro</span></p>
<p class="p2"><span class="s2">Imagery destined to take permanent residence in your nightmares.</span></p>
<p class="p1"><strong><span class="s1">63. </span></strong><span class="s2"><strong>The Blair Witch Project (1999)</strong> Eduardo </span><span class="s1">S</span><span class="s2">á</span><span class="s1">nchez </span>&amp; Daniel Myrick</p>
<p class="p2"><span class="s2">Shows nothing, terrifies you anyway.</span></p>
<p class="p1"><span class="s2"><strong>62. Toy Story (1995)</strong> John Lasseter</span></p>
<p class="p2"><span class="s2">As fun as films get.</span></p>
<p class="p1"><strong><span class="s1">61. </span></strong><span class="s2"><strong>The Double Life of Veronique (1991)</strong> Krzysztof Kieslowski</span></p>
<p class="p2"><span class="s2">No plot, just feeling—sumptuous, captivating feeling.</span></p>
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' type='text/html' width='640' height='390' src='https://www.youtube.com/embed/EecLJK4eI4Y?version=3&#038;rel=1&#038;fs=1&#038;autohide=2&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' allowfullscreen='true' style='border:0;'></iframe></span>
<p class="p1"><strong><span class="s1">60. </span></strong><span class="s2"><strong>I Am a Fugitive from a Chain Gang (1932)</strong> Mervyn LeRoy</span></p>
<p class="p2"><span class="s2">So profoundly enraging, so magnificently executed.</span></p>
<p class="p1"><strong><span class="s1">59. </span></strong><span class="s2"><strong>The Spectacular Now (2013)</strong> James Ponsoldt</span></p>
<p class="p2"><span class="s2">Shailene Woodley is the very definition of radiant.</span></p>
<p class="p1"><strong><span class="s1">58. </span></strong><span class="s2"><strong>Moulin Rouge! (2001)</strong> Baz Luhrmann</span></p>
<p class="p2"><span class="s2">Everything I loved (and loathed) about high school theatre.</span></p>
<p class="p1"><strong><span class="s1">57. </span></strong><span class="s2"><strong>Children of Men (2006)</strong> Alfonso </span>Cuarón</p>
<p class="p2"><span class="s2">Utterly jaw-dropping cinematography.</span></p>
<p class="p1"><strong><span class="s1">56. </span></strong><span class="s2"><strong>The Apartment (1960)</strong> Billy Wilder</span></p>
<p class="p2"><span class="s2">That’s the way it crumbles, cookie-wise.</span></p>
<p class="p1"><strong><span class="s1">55. </span></strong><span class="s2"><strong>Happiness (1998)</strong> Todd Solondz</span></p>
<p class="p2"><span class="s2">See it with an audience, and you’ll laugh. See it alone and you’ll squirm.</span></p>
<p class="p1"><strong><span class="s1">54. </span></strong><span class="s2"><strong>Singin&#8217; in the Rain (1952)</strong> Stanley Donen &amp; Gene Kelly</span></p>
<p class="p2"><span class="s2">The happiest movie ever made, and its happiness is infectious.</span></p>
<p class="p1"><strong><span class="s1">53. </span></strong><span class="s2"><strong>Sunset Blvd. (1950)</strong> Billy Wilder</span></p>
<p class="p2"><span class="s2">Probably my favorite final shot of all time.</span></p>
<p class="p1"><strong><span class="s1">52. </span></strong><span class="s2"><strong>The Music Man (1962)</strong> Morton DaCosta</span></p>
<p class="p2"><span class="s2">The most inventive of all classic musicals.</span></p>
<p class="p1"><strong><span class="s1">51. </span></strong><span class="s2"><strong>Dog Day Afternoon (1975)</strong> Sidney Lumet</span></p>
<p class="p2"><span class="s2">Al Pacino has rarely been this fun to watch onscreen.</span></p>
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' type='text/html' width='640' height='390' src='https://www.youtube.com/embed/4ca0T6jbhHo?version=3&#038;rel=1&#038;fs=1&#038;autohide=2&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' allowfullscreen='true' style='border:0;'></iframe></span>
<p class="p1"><strong><span class="s1">50. </span></strong><span class="s2"><strong>Angels in America (2003)</strong> Mike Nichols</span></p>
<p class="p2"><span class="s2">My favorite TV miniseries.</span></p>
<p class="p1"><strong><span class="s1">49. </span></strong><span class="s2"><strong>Romeo and Juliet (1968)</strong> Franco Zeffirelli</span></p>
<p class="p2"><span class="s2">The perfect Shakespeare adaptation.</span></p>
<p class="p1"><strong><span class="s1">48. </span></strong><span class="s2"><strong>The Miracle Worker (1962)</strong> Arthur Penn</span></p>
<p class="p2"><span class="s2">One of the great movie brawls ever staged.</span></p>
<p class="p1"><strong><span class="s1">47. </span></strong><span class="s2"><strong>Ordinary People (1980)</strong> Robert Redford</span></p>
<p class="p2"><span class="s2">A psychodrama that made me understand what my dad did for a living.</span></p>
<p class="p1"><strong><span class="s1">46. </span></strong><span class="s2"><strong>Almost Famous (2000)</strong> Cameron Crowe</span></p>
<p class="p2"><span class="s2">How can any journalist not fall head-over-heels for this one?</span></p>
<p class="p1"><strong><span class="s1">45. </span></strong><span class="s2"><strong>Adaptation (2002)</strong> Spike Jonze</span></p>
<p class="p2"><span class="s2">So creative it makes me excited just thinking about it.</span></p>
<p class="p1"><strong><span class="s1">44. </span></strong><span class="s2"><strong>The Purple Rose of Cairo (1985)</strong> Woody Allen</span></p>
<p class="p2"><span class="s2">Woody Allen’s pessimism has never been so beautifully conveyed.</span></p>
<p class="p1"><strong><span class="s1">43. </span></strong><span class="s2"><strong>Groundhog Day (1993)</strong> Harold Ramis</span></p>
<p class="p2"><span class="s2">The best riff on Dickens’s “Christmas Carol”&#8230; </span></p>
<p class="p1"><strong><span class="s1">42. </span></strong><span class="s2"><strong>The Muppet Christmas Carol (1993)</strong> Brian Henson</span></p>
<p class="p2"><span class="s2">&#8230;well, except for this one.</span></p>
<p class="p1"><strong><span class="s1">41. </span></strong><span class="s2"><strong>The Third Man (1949)</strong> Carol Reed</span></p>
<p class="p2"><span class="s2">The greatest entrance (and improvised speech) in movie history.</span></p>
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' type='text/html' width='640' height='390' src='https://www.youtube.com/embed/CNo8ld7ak8w?version=3&#038;rel=1&#038;fs=1&#038;autohide=2&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' allowfullscreen='true' style='border:0;'></iframe></span>
<p class="p1"><strong><span class="s1">40. </span></strong><span class="s2"><strong>La Promesse (1996)</strong> Jean-Pierre &amp; Luc Dardenne</span></p>
<p class="p2"><span class="s2">It made me literally scream at the screen—in the best possible way.</span></p>
<p class="p1"><strong><span class="s1">39. </span></strong><span class="s2"><strong>Mother (1996)</strong> Albert Brooks</span></p>
<p class="p2"><span class="s2">So funny you’ll hyperventilate.</span></p>
<p class="p1"><strong><span class="s1">38. </span></strong><span class="s2"><strong>2001: A Space Odyssey (1968)</strong> Stanley Kubrick</span></p>
<p class="p2"><span class="s2">Reawakens your awe of existence.</span></p>
<p class="p1"><strong><span class="s1">37. </span></strong><span class="s2"><strong>The White Ribbon (2009)</strong> Michael Haneke</span></p>
<p class="p2"><span class="s2">Nothing spawns monsters quite like repression.</span></p>
<p class="p1"><strong><span class="s1">36. </span></strong><span class="s2"><strong>Nine Lives (2005)</strong> Rodrigo </span><span class="s1">Garc</span><span class="s2">í</span><span class="s1">a</span></p>
<p class="p2"><span class="s2">Nine shots, each following a woman at a pivotal point in her life.</span></p>
<p class="p1"><strong><span class="s1">35. </span></strong><span class="s2"><strong>The Wise Kids (2011)</strong> Stephen Cone</span></p>
<p class="p2"><span class="s2">One of the wisest films about people of faith I’ve seen.</span></p>
<p class="p1"><strong><span class="s1">34. </span></strong><span class="s2"><strong>Mary Poppins (1964)</strong> Robert Stevenson</span></p>
<p class="p2"><span class="s2">My favorite Disney movie.</span></p>
<p class="p1"><span class="s2"><strong>33. Carrie (1976)</strong> Brian De Palma</span></p>
<p class="p2"><span class="s2">The guiltiest pleasure of them all.</span></p>
<p class="p1"><strong><span class="s1">32. </span></strong><span class="s2"><strong>Kramer vs. Kramer (1979)</strong> Robert Benton</span></p>
<p class="p2"><span class="s2">Want to get the best out of your actors? Watch this film.</span></p>
<p class="p1"><strong><span class="s1">31. </span></strong><span class="s2"><strong>Pee-Wee’s Big Adventure (1985)</strong> Tim Burton</span></p>
<p class="p2"><span class="s2">Goofiness elevated to an art form.</span></p>
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' type='text/html' width='640' height='390' src='https://www.youtube.com/embed/uzolCu-QLw0?version=3&#038;rel=1&#038;fs=1&#038;autohide=2&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' allowfullscreen='true' style='border:0;'></iframe></span>
<p class="p1"><strong><span class="s1">30. </span></strong><span class="s2"><strong>Moonrise Kingdom (2011)</strong> Wes Anderson</span></p>
<p class="p2"><span class="s2">Saw it four times in the theater. Four times wasn’t enough.</span></p>
<p class="p1"><strong><span class="s1">29. </span></strong><span class="s2"><strong>The Empire Strikes Back (1980)</strong> Irvin Kershner</span></p>
<p class="p2"><span class="s2">Da bomb Yoda is.</span></p>
<p class="p1"><strong><span class="s1">28. </span></strong><span class="s2"><strong>Grizzly Man (2005)</strong> Werner Herzog</span></p>
<p class="p2"><span class="s2">A profound exploration of mankind’s delusions.</span></p>
<p class="p1"><strong><span class="s1">27. </span></strong><span class="s2"><strong>E.T. The Extra-Terrestrial (1982)</strong> Steven Spielberg</span></p>
<p class="p2"><span class="s2">An exhilarating celebration of mankind’s dreams.</span></p>
<p class="p1"><strong><span class="s1">26. </span></strong><span class="s2"><strong>The Truman Show (1998)</strong> Peter Weir</span></p>
<p class="p2"><span class="s2">Made me wonder whether my life really is a TV show.</span></p>
<p class="p1"><strong><span class="s1">25. </span></strong><span class="s2"><strong>In the Family (2011)</strong> Patrick Wang</span></p>
<p class="p2"><span class="s2">A brilliant remedy for our divisive times.</span></p>
<p class="p1"><strong><span class="s1">24. </span></strong><span class="s2"><strong>North by Northwest (1959)</strong> Alfred Hitchcock</span></p>
<p class="p2"><span class="s2">The ultimate entertainment.</span></p>
<p class="p1"><strong><span class="s1">23. </span></strong><span class="s2"><strong>Kisses (2009)</strong> Lance Daly</span></p>
<p class="p2"><span class="s2">Perfection on a shoestring budget.</span></p>
<p class="p1"><strong><span class="s1">22. </span></strong><span class="s2"><strong>The Straight Story (1999)</strong> David Lynch</span></p>
<p class="p2"><span class="s2">A trip that’s rewarding beyond measure.</span></p>
<p class="p1"><strong><span class="s1">21. </span></strong><span class="s2"><strong>Monsieur Lazhar (2012)</strong> Philippe Falardeau</span></p>
<p class="p2"><span class="s2">My eyes well up every time I think about that last scene.</span></p>
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' type='text/html' width='640' height='390' src='https://www.youtube.com/embed/1cxnMoQtZrE?version=3&#038;rel=1&#038;fs=1&#038;autohide=2&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' allowfullscreen='true' style='border:0;'></iframe></span>
<p class="p1"><strong><span class="s1">20. </span></strong><span class="s2"><strong>Kill Bill Vol. 1 &amp; 2 (2003 &amp; 2004)</strong> Quentin Tarantino</span></p>
<p class="p2"><span class="s2">A movie mix tape for the ages.</span></p>
<p class="p1"><strong><span class="s1">19. </span></strong><span class="s2"><strong>Little Miss Sunshine (2006)</strong> Jonathan Dayton &amp; Valerie Faris</span></p>
<p class="p2"><span class="s2">My favorite experience in a movie theater.</span></p>
<p class="p1"><strong><span class="s1">18. </span></strong><span class="s2"><strong>The Tree of Life (2011)</strong> Terrence Malick</span></p>
<p class="p2"><span class="s2">The universe that exists within us all.</span></p>
<p class="p1"><strong><span class="s1">17. </span></strong><span class="s2"><strong>Raging Bull (1980)</strong> Martin Scorsese</span></p>
<p class="p2"><span class="s2">Beating life into submission until it beats back.</span></p>
<p class="p1"><strong><span class="s1">16. </span></strong><span class="s2"><strong>Fargo (1996)</strong> Joel &amp; Ethan Coen</span></p>
<p class="p2"><span class="s2">Killing them with kindness.</span></p>
<p class="p1"><strong><span class="s1">15. </span></strong><span class="s2"><strong>Hunger (2008)</strong> Steve McQueen</span></p>
<p class="p2"><span class="s2">The debut of one of our greatest living filmmakers.</span></p>
<p class="p1"><strong><span class="s1">14. </span></strong><span class="s2"><strong>There Will Be Blood (2007)</strong> Paul Thomas Anderson</span></p>
<p class="p2"><span class="s2">The Kubrickian horror of capitalism. </span></p>
<p class="p1"><strong><span class="s1">13. </span></strong><span class="s2"><strong>The Sixth Sense (1999)</strong> M. Night Shyamalan</span></p>
<p class="p2"><span class="s2">It’s not the end that gets me, it’s the scene before the end.</span></p>
<p class="p1"><strong><span class="s1">12. </span></strong><span class="s2"><strong>Best in Show (2000)</strong> Christopher Guest </span></p>
<p class="p2"><span class="s2">We could not talk or talk forever&#8230;and still find things to not talk about.</span></p>
<p class="p1"><strong><span class="s1">11. </span></strong><span class="s2"><strong>Young Frankenstein (1974)</strong> Mel Brooks</span></p>
<p class="p2"><span class="s2">How I learned the art of comic timing.</span></p>
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' type='text/html' width='640' height='390' src='https://www.youtube.com/embed/yH97lImrr0Q?version=3&#038;rel=1&#038;fs=1&#038;autohide=2&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' allowfullscreen='true' style='border:0;'></iframe></span>
<p class="p1"><strong><span class="s1">10. </span></strong><span class="s2"><strong>The Man Who Knew Too Much (1956)</strong> Alfred Hitchcock</span></p>
<p class="p1"><span class="s2">Includes my favorite example of “pure cinema.”</span></p>
<p class="p1"><span class="s2"><strong>9. The Diving Bell and the Butterfly (2007)</strong> Julian Schnabel</span></p>
<p class="p2"><span class="s2">An astonishing ode to human resilience.</span></p>
<p class="p1"><span class="s2"><strong>8. The Sound of Music (1965)</strong> Robert Wise</span></p>
<p class="p2"><span class="s2">There has never been and never will be another Julie Andrews.</span></p>
<p class="p1"><strong><span class="s1">7. </span></strong><span class="s2"><strong>Eternal Sunshine of the Spotless Mind (2004)</strong> Michel Gondry</span></p>
<p class="p2"><span class="s2">Heartache has rarely been captured with such exuberant genius.</span></p>
<p class="p1"><strong><span class="s1">6. </span></strong><span class="s2"><strong>Roger and Me (1989)</strong> Michael Moore</span></p>
<p class="p2"><span class="s2">A master class in savagely satirical editing.</span></p>
<p class="p1"><strong><span class="s1">5. </span></strong><span class="s2"><strong>Magnolia (1999)</strong> Paul Thomas Anderson</span></p>
<p class="p1"><span class="s2">The film that awakened me to the limitless possibilities of filmmaking.</span></p>
<p class="p1"><span class="s2"><strong>4. Annie Hall (1977)</strong> Woody Allen</span></p>
<p class="p2"><span class="s2">We all need the eggs.</span></p>
<p class="p1"><strong><span class="s1">3. </span></strong><span class="s2"><strong>The Shining (1980)</strong> Stanley Kubrick</span></p>
<p class="p2"><span class="s2">I could watch it forever and ever and ever&#8230;</span></p>
<p class="p1"><strong><span class="s1">2. </span></strong><span class="s2"><strong>It’s a Wonderful Life (1946)</strong> Frank Capra</span></p>
<p class="p1"><span class="s2">The most life-affirming film of all time.</span></p>
<p class="p1"><span class="s2"><strong>1. Mulholland Dr. (2001)</strong> David Lynch</span></p>
<p class="p3"><span class="s2">The gift that keeps on giving.</span></p>
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