<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Indie Outlook]]></provider_name><provider_url><![CDATA[http://indie-outlook.com]]></provider_url><author_name><![CDATA[Indie Outlook]]></author_name><author_url><![CDATA[https://indie-outlook.com/author/mattmovieman/]]></author_url><title><![CDATA[Indie Outlook Picks the 2016&nbsp;Nominees]]></title><type><![CDATA[link]]></type><html><![CDATA[<p><img data-attachment-id="2576" data-permalink="https://indie-outlook.com/2016/12/20/indie-outlook-picks-the-2016-nominees/iopicksthe2016noms_1/" data-orig-file="https://indieoutlook.files.wordpress.com/2016/12/iopicksthe2016noms_1.jpg?w=900&#038;h=462" data-orig-size="900,462" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="iopicksthe2016noms_1" data-image-description="" data-medium-file="https://indieoutlook.files.wordpress.com/2016/12/iopicksthe2016noms_1.jpg?w=900&#038;h=462?w=300" data-large-file="https://indieoutlook.files.wordpress.com/2016/12/iopicksthe2016noms_1.jpg?w=900&#038;h=462?w=900" class="alignnone size-full wp-image-2576" src="https://indieoutlook.files.wordpress.com/2016/12/iopicksthe2016noms_1.jpg?w=900&#038;h=462" alt="iopicksthe2016noms_1" width="900" height="462" srcset="https://indieoutlook.files.wordpress.com/2016/12/iopicksthe2016noms_1.jpg 900w, https://indieoutlook.files.wordpress.com/2016/12/iopicksthe2016noms_1.jpg?w=150&amp;h=77 150w, https://indieoutlook.files.wordpress.com/2016/12/iopicksthe2016noms_1.jpg?w=300&amp;h=154 300w, https://indieoutlook.files.wordpress.com/2016/12/iopicksthe2016noms_1.jpg?w=768&amp;h=394 768w" sizes="(max-width: 900px) 100vw, 900px" /></p>
<p>With Oscar prognostications in full swing, I&#8217;m presenting my annual list at Indie Outlook of the five nominees I would personally select in nearly every category, including one that I insist should exist (that being Best Actor Under 18). As will likely happen at the Oscars, Damien Chazelle’s captivating musical, “La La Land,” earned the most nominations, racking up a total of ten, followed close behind by my favorite narrative feature of the year, Maren Ade’s “Toni Erdmann,” with six nominations. Ken Loach’s wrenching “I, Daniel Blake” and Barry Jenkins’ brilliant “Moonlight” received five apiece, while Kenneth Lonergan’s lovely “Manchester by the Sea” and Dan Kwan &amp; Daniel Scheinert’s lovably audacious “Swiss Army Man,” each garnered four nominations. And illustrating just how fantastic a year this was for horror, three nominations were given to Osgood Perkins’ “The Blackcoat’s Daughter,” Nicolas Winding Refn’s “The Neon Demon” and Robert Eggers’ “The Witch.”</p>
<p>Make sure to stick around after the full list of nominees for Eleven Special Mentions in categories such as Best Discovery, Best Head Trip and Best Train Wreck.</p>
<p>&nbsp;</p>
<p><strong>BEST PICTURE </strong></p>
<p>I, Daniel Blake</p>
<p>La La Land</p>
<p>The Lobster</p>
<p>Manchester by the Sea</p>
<p>Moonlight</p>
<p>&nbsp;</p>
<p><strong>BEST DOCUMENTARY</strong></p>
<p>Hooligan Sparrow</p>
<p>Life, Animated</p>
<p>Newtown</p>
<p>Sonita</p>
<p>13th</p>
<p>&nbsp;</p>
<p><strong>BEST FOREIGN LANGUAGE FILM</strong></p>
<p>Being 17</p>
<p>Graduation</p>
<p>Mountains May Depart</p>
<p>Toni Erdmann</p>
<p>A War</p>
<p>&nbsp;</p>
<p><strong>BEST ANIMATED FILM</strong></p>
<p>Boy &amp; the World</p>
<p>Kubo and the Two Strings</p>
<p>Moana</p>
<p>The Red Turtle</p>
<p>Zootopia</p>
<p>&nbsp;</p>
<p><strong>BEST DIRECTOR</strong></p>
<p>Maren Ade, “Toni Erdmann”</p>
<p>Damien Chazelle, “La La Land”</p>
<p>Barry Jenkins, “Moonlight”</p>
<p>Yorgos Lanthimos, “The Lobster”</p>
<p>Ken Loach, “I, Daniel Blake”</p>
<p>&nbsp;</p>
<p><strong>BEST ACTOR</strong></p>
<p>Casey Affleck, “Manchester by the Sea”</p>
<p>Jeff Bridges, “Hell or High Water”</p>
<p>Dave Johns, “I, Daniel Blake”</p>
<p>Roland Møller, “Land of Mine”</p>
<p>Peter Simonischek, “Toni Erdmann”</p>
<p>&nbsp;</p>
<p><strong>BEST ACTRESS</strong></p>
<p>Dylan Gelula, “First Girl I Loved”</p>
<p>Sandra Hüller, “Toni Erdmann”</p>
<p>Morgan Saylor, “White Girl”</p>
<p>Emma Stone, “La La Land”</p>
<p>Anya Taylor-Joy, “The Witch”</p>
<p>&nbsp;</p>
<p><strong>BEST SUPPORTING ACTOR</strong></p>
<p>John Goodman, “10 Cloverfield Lane”</p>
<p>Lucas Hedges, “Manchester by the Sea”</p>
<p>Tracy Letts, “Indignation”</p>
<p>Daniel Radcliffe, “Swiss Army Man”</p>
<p>Ashton Sanders, “Moonlight”</p>
<p>&nbsp;</p>
<p><strong>BEST SUPPORTING ACTRESS</strong></p>
<p>Judy Davis, “The Dressmaker”</p>
<p>Viola Davis, “Fences”</p>
<p>Viktoriya Isakova, “The Student”</p>
<p>Tuva Novotny, “A War”</p>
<p>Hayley Squires, “I, Daniel Blake”</p>
<p>&nbsp;</p>
<p><strong>BEST ACTOR UNDER 18</strong></p>
<p>Peyton Kennedy, “American Fable”</p>
<p>Oona Laurence, “Lamb”</p>
<p>Lewis MacDougall, “A Monster Calls”</p>
<p>Garance Marillier, “Raw”</p>
<p>Kiernan Shipka, “The Blackcoat’s Daughter”</p>
<p>&nbsp;</p>
<p><strong>BEST ORIGINAL SCREENPLAY</strong></p>
<p>Maren Ade, “Toni Erdmann”</p>
<p>Damien Chazelle, “La La Land”</p>
<p>Barry Jenkins, “Moonlight”</p>
<p>Paul Laverty, “I, Daniel Blake”</p>
<p>Kenneth Lonergan, “Manchester by the Sea”</p>
<p>&nbsp;</p>
<p><strong>BEST ADAPTED SCREENPLAY</strong></p>
<p>David Birke, “Elle”</p>
<p>Jay Cocks &amp; Martin Scorsese, “Silence”</p>
<p>Terence Davies, “Sunset Song”</p>
<p>Patrick Ness, “A Monster Calls”</p>
<p>Park Chan-wook &amp; Chung Seo-kyung, “The Handmaiden”</p>
<p>&nbsp;</p>
<p><strong>BEST CINEMATOGRAPHY</strong></p>
<p>Natasha Braier, “The Neon Demon”</p>
<p>Diego Garcia, “Neon Bull”</p>
<p>Michael McDonough, “Sunset Song”</p>
<p>Linus Sandgren, “La La Land”</p>
<p>Peter Zeitlinger, “Into the Inferno”</p>
<p>&nbsp;</p>
<p><strong>BEST EDITING</strong></p>
<p>Tom Cross, “La La Land”</p>
<p>Austin Reedy, “Tower”</p>
<p>Joi McMillon &amp; Nat Sanders, “Moonlight”</p>
<p>Sebastián Sepúlveda, “Jackie”</p>
<p>Brian Ufberg, “The Blackcoat’s Daughter”</p>
<p>&nbsp;</p>
<p><strong>BEST COSTUME DESIGN</strong></p>
<p>Erin Benach, “The Neon Demon”</p>
<p>Anna Biller, “The Love Witch”</p>
<p>Consolata Boyle, “Florence Foster Jenkins”</p>
<p>Tiziana Corvisieri, “Sing Street”</p>
<p>Gitti Fuchs, “Toni Erdmann”</p>
<p>&nbsp;</p>
<p><strong>BEST PRODUCTION DESIGN</strong></p>
<p>Thierry Flamand, “Beauty and the Beast”</p>
<p>Mark Friedberg, “Paterson”</p>
<p>Jason Kisvarday, “Swiss Army Man”</p>
<p>Ryu Seong-hie, “The Handmaiden”</p>
<p>David Wasco, “La La Land”</p>
<p>&nbsp;</p>
<p><strong>BEST SCORE</strong></p>
<p>Dickon Hinchliffe, “Little Men”</p>
<p>Justin Hurwitz, “La La Land”</p>
<p>Danny Bensi &amp; Saunder Jurriaans, “The Fits”</p>
<p>Mark Korven “The Witch”</p>
<p>Cliff Martinez, “The Neon Demon”</p>
<p>&nbsp;</p>
<p><strong>BEST SONG</strong></p>
<p>“Brides for Sale,” Sonita</p>
<p>“City of Stars,” La La Land</p>
<p>“Montage,” Swiss Army Man</p>
<p>“No Dames!”, Hail, Caesar!</p>
<p>“Try Everything,” Zootopia</p>
<p>&nbsp;</p>
<p><strong>BEST SOUND</strong></p>
<p>Allied</p>
<p>The Blackcoat’s Daughter</p>
<p>La La Land</p>
<p>10 Cloverfield Lane</p>
<p>Under the Shadow</p>
<p>&nbsp;</p>
<p><strong>BEST MAKEUP</strong></p>
<p>Green Room</p>
<p>Raw</p>
<p>Swiss Army Man</p>
<p>The Wailing</p>
<p>The Witch</p>
<p>&nbsp;</p>
<p><strong>BEST VISUAL EFFECTS</strong></p>
<p>Arrival</p>
<p>The BFG</p>
<p>Captain America: Civil War</p>
<p>Doctor Strange</p>
<p>Pete’s Dragon</p>
<p>&nbsp;</p>
<p><strong>Eleven Special Mentions</strong></p>
<p><strong>BEST SHORT FILM</strong></p>
<p>Ship Dreams</p>
<p><strong>BEST TV MINISERIES DRAMA</strong></p>
<p>The People v. O.J. Simpson: American Crime Story</p>
<p><strong>BEST TV MINISERIES DOCUMENTARY</strong></p>
<p>O.J.: Made in America</p>
<p><strong>BEST DISCOVERY</strong></p>
<p>Julia Sarah Stone in “Weirdos” (and 2014’s “Wet Bum”)</p>
<p><strong>BEST REDISCOVERED CLASSIC</strong></p>
<p>Only Yesterday</p>
<p><strong>BEST ENSEMBLE</strong></p>
<p>Don’t Think Twice</p>
<p><strong>BEST EXPERIMENTATION WITH THE FORM</strong></p>
<p>Kate Plays Christine</p>
<p><strong>BEST HEAD TRIP</strong></p>
<p>Kaili Blues</p>
<p><strong>BEST TRAIN WRECK</strong></p>
<p>Weiner</p>
<p><strong>BEST RUNNING GAG</strong></p>
<p>Sigourney Weaver in “Finding Dory”</p>
<p><strong>WORST FILM OF THE YEAR </strong></p>
<p>Suicide Squad</p>
]]></html><thumbnail_url><![CDATA[https://i0.wp.com/indieoutlook.files.wordpress.com/2016/12/iopicksthe2016noms_1.jpg?fit=440%2C330&ssl=1]]></thumbnail_url><thumbnail_width><![CDATA[440]]></thumbnail_width><thumbnail_height><![CDATA[226]]></thumbnail_height></oembed>