<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[The Dish]]></provider_name><provider_url><![CDATA[http://dish.andrewsullivan.com]]></provider_url><author_name><![CDATA[Andrew Sullivan]]></author_name><author_url><![CDATA[https://dish.andrewsullivan.com/author/sullydish/]]></author_url><title><![CDATA[Apple And Our Culture,&nbsp;Ctd]]></title><type><![CDATA[link]]></type><html><![CDATA[<p><iframe frameborder="0" height="290" src="http://player.vimeo.com/video/18446531?byline=0&amp;portrait=0&amp;color=ffffff" width="515"></iframe></p> <p><a href="http://vimeo.com/18446531">Girl Walk // All Day</a> from <a href="http://vimeo.com/user1136439">jacob krupnick</a> on <a href="http://vimeo.com">Vimeo</a>.</p> <p><span style="font-size: 8pt;"><em>by Chris Bodenner</em></span></p> <p>A reader writes:</p> <blockquote> <p>After reading your musician reader&#39;s <a href="http://andrewsullivan.theatlantic.com/the_daily_dish/2011/01/apple-and-our-culture-ctd-2.html" target="_self">note</a> about the iPod&#39;s utility as a creative tool, I felt compelled to chime in. I&#39;m a musician too, and like pretty much every other musician I know, I&#39;m a devotee of Apple&#39;s products. It&#39;s very true that Macs and iPods are flat-out indispensable for producing and recording modern music. And I think the taste and elegance of their industrial and software design, their stores, and even their advertising is a net plus for our culture.</p> <p>But.&#0160; There is a negative, or at least an artistically-questionable sea change in music, which has been abetted by the success of the iPod: the death of the album.</p> </blockquote>]]></html></oembed>