<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[The Dish]]></provider_name><provider_url><![CDATA[http://dish.andrewsullivan.com]]></provider_url><author_name><![CDATA[Andrew Sullivan]]></author_name><author_url><![CDATA[https://dish.andrewsullivan.com/author/sullydish/]]></author_url><title><![CDATA[&#8220;Tell Mama All&#8221;]]></title><type><![CDATA[link]]></type><html><![CDATA[
<p><img alt="TAYLORMichaelBuckner:Getty" class="asset  asset-image at-xid-6a00d83451c45669e2014e86efb94f970d" src="https://sullydish.files.wordpress.com/2011/03/6a00d83451c45669e2014e86efb94f970d-550wi.jpg" style="width: 515px;" title="TAYLORMichaelBuckner:Getty" /> <br /><a href="http://www.salon.com/entertainment/movies/feature/2011/03/23/camille_paglia_on_elizabeth_taylor" target="_self"></a></p>
<p><a href="http://www.salon.com/entertainment/movies/feature/2011/03/23/camille_paglia_on_elizabeth_taylor" target="_self">Camille Paglia</a> loved Elizabeth Taylor&#39;s body:</p>
<blockquote>
<p>To me, Elizabeth Taylor&#39;s importance as an actress was that she  represented a kind of womanliness that is now completely impossible to  find on the U.S. or U.K. screen. It was rooted in hormonal reality &#8212;  the vitality of nature. She was single-handedly a living rebuke to  postmodernism and post-structuralism, which maintain that gender is  merely a social construct. Let me give you an example. Lisa Cholodenko&#39;s  &quot;The Kids Are All Right&quot; is a truly wonderful film, but Julianne Moore  and Annette Bening &#8212; who is fabulous in it and should have won the  Oscar for her portrayal of a prototypical contemporary American career  woman &#8212; were painfully scrawny to look at on the screen. This is the  standard starvation look that is now projected by Hollywood women stars  &#8212; a skeletal, Pilates-honed, anorexic silhouette, which has nothing to  do with females as most of the world understands them. There&#39;s something  almost android about the depictions of women currently being projected  by Hollywood.</p>
</blockquote>
<p>Kevin Sessums procured the <a href="http://www.thedailybeast.com/blogs-and-stories/2011-03-23/elizabeth-taylor-interview-about-her-aids-advocacy-plus-stars-remember/2/" target="_self">following tidbit</a> out of her about James Dean, which Kevin didn&#39;t publish at the time:</p>
<blockquote>
<p>&quot;I loved Jimmy. I&#39;m going to tell you something, but it&#39;s off the  record until I die. OK? When Jimmy was 11 and his mother passed away, he  began to be molested by his minister. I think that haunted him the rest  of his life. In fact, I know it did. We talked about it a lot. During <em>Giant</em> we&#39;d stay up nights and talk and talk, and that was one of the things he confessed to me.&quot;</p>
<p>Another tortured soul with whom she worked was Montgomery Clift.  There was a quality to her AIDS activism that was not only warrior-like  but also maternal, and I confessed to her myself that afternoon that it  was as if she were turning to all of us who were HIV positive and  saying, as she did to Clift, in <em>A Place in the Sun</em>, in the cinema&#39;s most famous closeup, &quot;Tell Mama&#8230;&quot;</p>
<p>She touched my hand and stopped me. She leaned forward. &quot;Tell Mama  all&#8230;&quot; she finished the line for me with the most fervent of whispers.</p>
</blockquote>
<p>(Photo: Flowers are placed on actress Elizabeth Taylor&#39;s Star on the Hollywood  Walk of Fame on March 23, 2011 in Hollywood, California. By  Michael Buckner/Getty Images.)</p>
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