A reader writes:

For some reason, I can't stop watching this MHB. I've now seen it five times in full screen HD, and it just gets better every time. It's Busta Rhymes mashed up with Antoine Dodson flamboyance, the booty-fixation of Sir Mix-A-Lot, the vapid lyrics, professional production and bad white person dancing that is Rebecca Black, and whatever learning disability that causes my students to think that the solution to a shitty project is adding more and more special effects. It's an awesome high point in a new art movement that I can only describe as craptacularism.

Exposure to such delicious randomness is a small but vital part of why your blog is one of my daily reads. Thanks for sharing.

From an interview with social theorist Alix Chapman:

Sissy Bounce is really not all that different [from the more widely known genre of "bounce."]. It incorporates call and response, the triggerman and brown beat, and a lot of the same dancing and sexually provocative lyrics associated with the rest of Bounce. There's a lot of social critique and explanation throughout Bounce music, just like any other form of hip-hop.