<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[The Dish]]></provider_name><provider_url><![CDATA[http://dish.andrewsullivan.com]]></provider_url><author_name><![CDATA[Andrew Sullivan]]></author_name><author_url><![CDATA[https://dish.andrewsullivan.com/author/sullydish/]]></author_url><title><![CDATA[Retro On Repeat]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>Kurt Anderson <a href="http://www.vanityfair.com/style/2012/01/prisoners-of-style-201201" target="_self">chronicles</a> the lack of new popular styles:</p> <blockquote> <p>Since 1992, as the technological miracles and wonders have propagated  and the political economy has transformed, the world has become  radically and profoundly new. ... Here is what’s odd: during  these same 20 years, the <em>appearance</em> of the world (computers,  TVs, telephones, and music players aside) has changed hardly at all,  less than it did during any 20-year period for at least a century. The  past is a foreign country, but the recent past—the 00s, the 90s, even a  lot of the 80s—<em>looks</em> almost identical to the present.</p> </blockquote> <p>He believes gay culture helped democratize style so that it is now affordable to most. Alan Jacobs <a href="http://ayjay.tumblr.com/post/14062988311/since-1992-as-the-technological-miracles-and" target="_self">spotlights</a>&#0160;a big oversight of the piece:</p>]]></html></oembed>