Alyssa Rosenberg ponders Netflix's attempt to be all things to all people:

[I]t’s a harder thing to develop consistently excellent programming across a wide variety of genres, tones, and subject-matter tranches. I can understand why the company would prefer to try for that, though: after causing a lot of confusion and doing itself a lot of damage, I’d want a master-stroke to bring in new or disaffected former customers, and to make a lot of my audience very excited. I’m just not entirely sure how it’ll pan out.