<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[The Dish]]></provider_name><provider_url><![CDATA[http://dish.andrewsullivan.com]]></provider_url><author_name><![CDATA[Andrew Sullivan]]></author_name><author_url><![CDATA[https://dish.andrewsullivan.com/author/sullydish/]]></author_url><title><![CDATA[The Political Power Of&nbsp;Art]]></title><type><![CDATA[link]]></type><html><![CDATA[
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<p>Sean Wilentz <a href="http://www.nybooks.com/articles/archives/2012/aug/16/left-vs-liberals/" target="_self">addresses</a> the subject in a review of Michael Kazin&#39;s<a href="http://www.amazon.com/American-Dreamers-Left-Changed-Nation/dp/0307266281/ref=sr_1_1?ie=UTF8&amp;qid=1343329807&amp;sr=8-1&amp;keywords=michael+kazin" target="_self"> <em>American Dreamers</em></a>, a history of the American left:</p>
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<p>Alienated novelists, poets, playwrights, filmmakers, and songwriters,  Kazin argues, as well as muckraking journalists and left-wing  historians, have influenced many more Americans than would ever embrace a  radical political movement. From Harriet Beecher Stowe to Bruce  Springsteen, he finds a persistent radical artistic imagination that he  believes has been the left’s mightiest weapon. To understand American  radicalism’s humanizing power, and how the left changed the nation, it  is less important, in Kazin’s view, to consider how Americans voted than  to consider what books and magazines they read, what plays and movies  they attended, and what songs they heard and sang.</p>
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