<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[The Dish]]></provider_name><provider_url><![CDATA[http://dish.andrewsullivan.com]]></provider_url><author_name><![CDATA[Andrew Sullivan]]></author_name><author_url><![CDATA[https://dish.andrewsullivan.com/author/sullydish/]]></author_url><title><![CDATA[The Teen Drama That Started It&nbsp;All]]></title><type><![CDATA[link]]></type><html><![CDATA[
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<p><span style="font-size: 8pt;"><em>by <em><em>Zoë</em></em> Pollock&#0160;</em></span></p>
<p><span style="font-size: 8pt;"><em>&#0160;</em></span>Emily Landau <a href="http://walrusmagazine.com/articles/2012.09-television-teenage-dreams/" target="_self">remembers</a> the trailblazing show, <em>Degrassi Junior High</em>:</p>
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<p><em>Degrassi</em>&#39;s camp value has often overshadowed its cultural significance. Twenty-five years after it debuted, its DNA lives on in every subsequent teen drama; in fact, it inspired Aaron Spelling’s <em>Beverly Hills, 90210</em>. However, <em>Degrassi</em> ‘s gritty vérité approach (working-class characters, untrained actors)  had more in common with the social realist films of Ken Loach and Mike  Leigh than with the brassy designing women and idyllic nuclear families  of ’80s television. <em>Degrassi</em> treated such issues as teen pregnancy, abortion, and suicide with <em>gravitas</em>.  It was the only place on television where kids could see themselves  depicted honestly. There has never been anything else like it.</p>
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