<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[The Dish]]></provider_name><provider_url><![CDATA[http://dish.andrewsullivan.com]]></provider_url><author_name><![CDATA[Andrew Sullivan]]></author_name><author_url><![CDATA[https://dish.andrewsullivan.com/author/sullydish/]]></author_url><title><![CDATA[Mental Health Break]]></title><type><![CDATA[link]]></type><html><![CDATA[
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<p>Kasia Cieplak-Mayr von Baldegg <a href="http://www.theatlantic.com/video/archive/2012/09/very-little-stars/262843/" target="_self">explains</a> why this is not your usual timelapse:&#0160;</p>
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<p>The method is not&#0160;super new but it&#39;s been catching on lately; videomakers call it&#0160;<a href="http://vimeo.com/tag:hyperlapse">hyperlapse</a>. Essentially, moving the camera through space while shooting stills at regular intervals creates sweeping shots when played back as video. Many time-lapse videos feature camera movements &#8212; just not camera movements&#0160;<em>this big.</em>&#0160;Covering a lot of ground seems to be the key to creating dizzying momentum. Check out the shots at 1:30 to see some particularly cool examples of what it looks like, and don&#39;t forget to watch full screen in HD!&#0160;</p>
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