<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[The Dish]]></provider_name><provider_url><![CDATA[http://dish.andrewsullivan.com]]></provider_url><author_name><![CDATA[Andrew Sullivan]]></author_name><author_url><![CDATA[https://dish.andrewsullivan.com/author/sullydish/]]></author_url><title><![CDATA[Moving Too Fast For&nbsp;Memory]]></title><type><![CDATA[link]]></type><html><![CDATA[
<p> <a class="asset-img-link" href="https://sullydish.files.wordpress.com/2012/12/6a00d83451c45669e2017ee5f3950c970d.jpg" style="display: inline;"><img alt="1671381-slide-nude-movement-66" class="asset  asset-image at-xid-6a00d83451c45669e2017ee5f3950c970d" src="https://sullydish.files.wordpress.com/2012/12/6a00d83451c45669e2017ee5f3950c970d-550wi.jpg" style="width: 515px;" title="1671381-slide-nude-movement-66" /></a></p>
<p>Thomas Beller <a href="http://www.newyorker.com/online/blogs/culture/2012/12/saying-goodbye-to-now-how-do-iphone-photos-impact-our-experience.html" target="_self">recalls </a>the memoir of photojournalist Tim Page, who wrote using his own contact sheets as prompts:</p>
<blockquote>
<p>Having contact sheets for all sorts of episodes in your life seemed  to me intriguing and desirable. So much of my own history is beclouded  by time, but a few sharp rays, in the form of pictures, falling upon a  given day would resuscitate whole contexts. And from this archipelago of  moments, scenes, episodes, you could see the larger tectonic movements  of your life forming and unforming. You would be reminded of who you  are. Or at least of who you were. </p>
<p>In 1996, this condition was the luxury of professional photographers.  We are now all Tim Page. Or, we have contact sheets. At least, those of  us who snap streams of images as though they were jelly beans being  scooped into a hand. But a jelly bean in a hand makes sense as long as  you eat it. What would you say about a person who collected jelly beans?  Whose home was filled with glass jar after glass jar of them? One could  ask such a person, What are you planning on doing with all those jelly  beans?</p>
</blockquote>
<p>He concludes:</p>
<blockquote>
<p>It’s an era of controlled deprivations and detoxification, of fasts and  cleanses. Perhaps everyone should make a weekly ritual of twenty-four  hours of undocumented life. Periods of time in which memory must do all  the heavy lifting, or none of it, as it chooses, the consequences being  what they may be. No phone, no eclipse glasses to mitigate the intensity  of what lies before you. The only options are appetite, experience,  memory, and later, if so inclined, writing it down. </p>
</blockquote>
<p>(From the series <a href="http://www.shinichimaruyama.com/" target="_blank"><em>Nude</em></a> by <a href="http://www.shinichimaruyama.com/portfolio/permalink/384426/4ab8f78a666a04" target="_self">Shinichi Maruyama</a> via <a href="http://www.fastcodesign.com/1671381/naked-bodies-in-motion-safe-for-work-artfully-abstract?utm_source=twitter#1" target="_self">Kyle VanHemert</a>)</p>
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