J. Bryan Lowder likes spoilers. He calls them “a prophylactic against mediocrity in shows of middling appeal”:

In truth, if the spoiler does her job well, you will leave with an appreciation of the episode at least equal to, if not better than, those poor souls who gambled their lives watching the whole thing. Memory is organized in flashes, moments, and a few pithy, secondhand ones recounted on a newsfeed are, considering cost-benefit, preferable to recording some myself over a long hour. (And honestly, I find the practice so seamless that I often can’t remember whether I actually watched something or spoil-watched it.)

You could say that, in my support of spoil-watching, I’m arguing for a CliffsNotes approach to television—and why not? Every good student knows there are texts worth reading in full and texts for which it is perfectly appropriate, even necessary, to skim. As students of pop culture, we should jealously guard our time with the former and, each according to his taste and ability, help each other get on with the latter as quickly and efficiently as possible. Such a utopian arrangement won’t spoil anything, I promise.