<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[The Dish]]></provider_name><provider_url><![CDATA[http://dish.andrewsullivan.com]]></provider_url><author_name><![CDATA[Andrew Sullivan]]></author_name><author_url><![CDATA[https://dish.andrewsullivan.com/author/sullydish/]]></author_url><title><![CDATA[Of Romance And&nbsp;Revenue]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>Jesse Barron <a href="http://harpers.org/blog/2014/01/nyc-vs-hea/">describes</a> how romance writers thrive outside the traditional publishing industry:</p>
<blockquote><p>Good romance writers can earn a living without anyone in New York publishing knowing their names, because they publish and promote their work themselves. A traditional publishing house might give an author 25 percent of the net price on an e-book (meaning that if an outlet marks down your title, you get 25 percent of the discounted price). The e-book distributor Smashwords, by contrast, forbids outlets from discounting and returns 60 to 75 percent of the cover price to the author. The Amazon, Kobo, and Sony e-book stores offer similarly good rates.</p>
<p>Romance titles are priced low, usually around four or five dollars, which makes it easier to sell a lot of them. A known author, rolling with Facebook and Goodreads promotion, can move more than a thousand units daily on Smashwords alone. A 60 percent cut of two thousand $5 e-books is $6,000. If your book sells well for a week, you’ve made $42,000. Publish two books a year, a not-unusual pace for an e-book author, and you’ve earned $84,000 before taxes. And that’s<em> </em>just from Smashwords — because contracts with most e-book distributors are nonexclusive, you can sell through other distributors, too, so you may have comparable revenue coming from Kobo, Amazon, and others. And this is assuming you’re not a top-tier author. The writers in the winner’s circle, which in romance is big, can easily pull six or seven figures.</p></blockquote>
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