<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[The Amazing Sky]]></provider_name><provider_url><![CDATA[http://amazingsky.net]]></provider_url><author_name><![CDATA[Alan Dyer]]></author_name><author_url><![CDATA[https://amazingsky.net/author/amazingsky/]]></author_url><title><![CDATA[Sunset in the City — This is Only a&nbsp;Test!]]></title><type><![CDATA[link]]></type><html><![CDATA[<iframe title='VideoPress Video Player' aria-label='VideoPress Video Player' width='400' height='267' src='https://video.wordpress.com/embed/0AEeKOur?hd=0&amp;autoPlay=0&amp;permalink=1&amp;loop=0&amp;preloadContent=metadata&amp;muted=0&amp;playsinline=0&amp;controls=1&amp;cover=1' frameborder='0' allowfullscreen  allow='clipboard-write'></iframe><script src='https://v0.wordpress.com/js/next/videopress-iframe.js?m=1674852142'></script>
<p><span style="color:#000000;">This is one for the time-lapse geeks!</span></p>
<p><span style="color:#000000;">One of the trickiest subjects for a time-lapse sequence is a smooth and seamless day-to-night transition. Exposure times vary from fractions of a second before sunset to several seconds at night fall.</span></p>
<p><span style="color:#000000;">How to do it? Manually shifting exposures is too much work and prone to error. Putting the camera on Automatic can work but inevitably results in an effect known in the time-lapse world as &#8220;flickering.&#8221; The camera&#8217;s automatically-judged exposures aren&#8217;t consistent from frame to frame so the final movie shows minor bright/dark flickering, making it look jerky.</span></p>
<p><span style="color:#000000;">For this test sequence of sunset over the Calgary skyline, I tried a new toy for the first time, as a solution.</span></p>
<p><span style="color:#000000;">The device is called the <span style="color:#0000ff;"><a title="Little Bramper Home Page" href="http://www.thewhippersnapper.com/LittleBramper/Site/Home.html" target="_blank"><span style="color:#0000ff;">Little Bramper </span></a></span>(for Bulb Ramping). It is a custom-made intervalometer that fires the camera shutter every few seconds (at whatever interval you desire). Nothing new there. But what&#8217;s unique is that it can be set to slowly increment the exposure time by as little as 1/1000th of a second from frame to frame, gradually increasing the exposure (&#8220;ramping&#8221; it) to accommodate the darkening scene. The result is a smooth transition from day to night with no flickering.</span></p>
<p><span style="color:#000000;">This was my first use of the Bramper and it wasn&#8217;t without its glitches. The shortest exposure the Bramper can provide (it always controls the camera thru its Bulb setting) is about 1/10th of a second (I had no idea camera shutters can fire as quickly as that even on Bulb).</span></p>
<p><span style="color:#000000;">But at the beginning of a sequence like this, with a bright sky, achieving that exposure (still quite long) means using a small f-stop, a slow ISO speed, or a neutral density filter, or all of the above. But as the sky darkens and exposures lengthen, exposures would become too long to fit within the desired interval <span style="text-decoration:underline;">between</span> frames (typically no more than 5 to 10 seconds for a smooth sequence). So, to shorten the exposures you then have to open up the lens, switch to a faster ISO, or remove the ND filter, while also commanding the Bramper to quickly reduce its exposure time, all in one exposure cycle (i.e. 5 to 10 seconds) so as not to lose or ruin frames. Takes some coordination and practice (hit the Bramper&#8217;s button, adjust the camera, all within 5 seconds), and I didn&#8217;t get it right the first couple of times.</span></p>
<p><span style="color:#000000;">But overall, for a first test, the sequence turned out very well. The $80 Little Bramper does the job, though it does take careful monitoring through the sequence, not just to perform the exposure swaps, but to also watch that the ramping rate (adjustable on the fly) matches what the scene is doing and you aren&#8217;t under- or over-exposing. It&#8217;ll take a little more practice, but the results certainly are worth it.</span></p>
<p><span style="color:#000000;">It&#8217;s another neat tool in the time-lapse arsenal.</span></p>
<p><span style="color:#000000;">— Alan, August 10, 2011 / Movie © 2011 Alan Dyer</span></p>
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