<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[The Amazing Sky]]></provider_name><provider_url><![CDATA[http://amazingsky.net]]></provider_url><author_name><![CDATA[Alan Dyer]]></author_name><author_url><![CDATA[https://amazingsky.net/author/amazingsky/]]></author_url><title><![CDATA[Celestial Pinks and&nbsp;Blues]]></title><type><![CDATA[link]]></type><html><![CDATA[<p><a href="https://amazingsky.files.wordpress.com/2012/01/m45-pleiades-and-ngc-1499-california-nebula-135mm-5dii.jpg"><img loading="lazy" data-attachment-id="866" data-permalink="https://amazingsky.net/2012/01/29/celestial-pinks-and-blues/pleiades-and-california-nebula-135mm-5dii/" data-orig-file="https://amazingsky.files.wordpress.com/2012/01/m45-pleiades-and-ngc-1499-california-nebula-135mm-5dii.jpg" data-orig-size="864,1344" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Alan Dyer&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark II&quot;,&quot;caption&quot;:&quot;The Pleiades in Taurus, and the California Nebula, NGC 1499, in Perseus. The small blue reflection nebula at centre right is IC 348. This is a stack of 5 x 6 minute exposures with the 135mm Canon L-Series lens at f\/2.8 and Canon 5D MkII at ISO 800. From home on a clear winter&#039;s night. Original exposures were technically overexposed but processed up well with huge increases in contrast introduced at every stage, from RAW to layered Photoshop, to final flattened TIFF. Several masks employed to equallize (flatten) the brightness gradients across the image from radial lens vignetting, linear edge camera lens box shadowing, and linear sky gradients. But having originals that were overexposed provided lots of signal, despite having only 5 exposures median combined, allowing the very faint nebulas to be brought out without significant noise. Having a cold (-5\u00c2\u00b0C) camera helped too.&quot;,&quot;created_timestamp&quot;:&quot;1327525587&quot;,&quot;copyright&quot;:&quot;\u00c2\u00a9 Alan Dyer 2012&quot;,&quot;focal_length&quot;:&quot;135&quot;,&quot;iso&quot;:&quot;800&quot;,&quot;shutter_speed&quot;:&quot;361&quot;,&quot;title&quot;:&quot;Pleiades and California Nebula (135mm 5DII)&quot;}" data-image-title="Pleiades and California Nebula (135mm 5DII)" data-image-description="&lt;p&gt;The Pleiades in Taurus, and the California Nebula, NGC 1499, in Perseus. The small blue reflection nebula at centre right is IC 348. This is a stack of 5 x 6 minute exposures with the 135mm Canon L-Series lens at f/2.8 and Canon 5D MkII at ISO 800. From home on a clear winter&#8217;s night. Original exposures were technically overexposed but processed up well with huge increases in contrast introduced at every stage, from RAW to layered Photoshop, to final flattened TIFF. Several masks employed to equallize (flatten) the brightness gradients across the image from radial lens vignetting, linear edge camera lens box shadowing, and linear sky gradients. But having originals that were overexposed provided lots of signal, despite having only 5 exposures median combined, allowing the very faint nebulas to be brought out without significant noise. Having a cold (-5°C) camera helped too.&lt;/p&gt;
" data-image-caption="" data-medium-file="https://amazingsky.files.wordpress.com/2012/01/m45-pleiades-and-ngc-1499-california-nebula-135mm-5dii.jpg?w=193" data-large-file="https://amazingsky.files.wordpress.com/2012/01/m45-pleiades-and-ngc-1499-california-nebula-135mm-5dii.jpg?w=658" class="aligncenter size-large wp-image-866" title="Pleiades and California Nebula (135mm 5DII)" src="https://amazingsky.files.wordpress.com/2012/01/m45-pleiades-and-ngc-1499-california-nebula-135mm-5dii.jpg?w=658&#038;h=1024" alt="" width="658" height="1024" srcset="https://amazingsky.files.wordpress.com/2012/01/m45-pleiades-and-ngc-1499-california-nebula-135mm-5dii.jpg?w=658&amp;h=1024 658w, https://amazingsky.files.wordpress.com/2012/01/m45-pleiades-and-ngc-1499-california-nebula-135mm-5dii.jpg?w=96&amp;h=150 96w, https://amazingsky.files.wordpress.com/2012/01/m45-pleiades-and-ngc-1499-california-nebula-135mm-5dii.jpg?w=193&amp;h=300 193w, https://amazingsky.files.wordpress.com/2012/01/m45-pleiades-and-ngc-1499-california-nebula-135mm-5dii.jpg?w=768&amp;h=1195 768w, https://amazingsky.files.wordpress.com/2012/01/m45-pleiades-and-ngc-1499-california-nebula-135mm-5dii.jpg 864w" sizes="(max-width: 658px) 100vw, 658px" /></a></p>
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<p>Who says the dark night sky isn&#8217;t colourful? Of course, to the naked eye it mostly is, with the darkness punctuated only with a few red, yellow and blues stars. But expose a camera for long enough and all kinds of colour begins to appear.</p>
<p>This region is above us now, in the Northern Hemisphere evening sky for mid-winter. It&#8217;s the boundary area between Taurus and Perseus. Below are the vivid blues of the hot young Pleiades star cluster in Taurus. At top, just squeezing into the frame, is the shocking pink of the California Nebula, a glowing cloud of hydrogen gas in Perseus.</p>
<p>But between are the subtle hues of faint nebulosity weaving all through the Perseus-Taurus border zone. Below are faint cyans and blues from dust clouds reflecting the light of the Pleiades stars. In the middle are the yellow-browns of dark dust clouds hardly emitting light at all, but snaking across the frame to end in a complex of pink and blue straddling the border collectively known as IC 348 and IC 1333. At top, the glowing hydrogen gas of the California emits a mix of red and blue wavelengths, creating the hot pink tones, but fading to a deeper red to the left as the nebula thins out to the east. Throughout, hot blue stars pepper the sky and help illuminate the dust and gas clouds which will likely form more hot stars in the eons to come.</p>
<p>I took this shot last Wednesday night, on one of the few clear, haze-free nights of late. This is a &#8220;piggybacked shot,&#8221; with the Canon 5D MkII camera going along for the ride on one of my tracking mounts. This final shot is a stack of five 6-minute exposures, highly processed to bring out the faint clouds barely brighter than the sky itself. The camera was equipped with a 135mm telephoto lens, giving a field of view a couple of binocular fields wide. Hold out your hand and your outstretched palm would nicely cover  this area of sky. But only the camera reveals what is actually there.</p>
<p>— Alan, January 29, 2012 / Image © 2012 Alan Dyer</p>
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