This first video represents Part One of my Discussion and Analysis of the Fugue, BWV 847, inclusive of the Exposition. (I use the Palmer edition)

In the course of a fugue, the SUBJECT should always be fleshed out in whatever voice it appears, but an awareness of counter-subject one, counter-subject 2 and motivic, imitative devices cloaking the subject is always required.

Part Two: Analysis Fugue, BWV 847

Part Three: Analysis Fugue, BWV 847

The manuscript below incorporates the theoretical mapping of Jose Rodriguez Alvira

http://www.teoria.com/articulos/analysis/BWV847/index.htm

RELATED: Prelude in C minor, BWV 847 (Harmonic Analysis)

RELATED:
https://arioso7.wordpress.com/2011/07/05/playing-through-the-entire-bach-fugue-bwv847-in-c-minor-fleshing-out-form-as-i-go-along-video/

https://arioso7.wordpress.com/2011/02/08/the-mapped-out-manuscript-for-bach-invention-no-1-in-c/