<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Arioso7&#039;s Blog (Shirley Kirsten)]]></provider_name><provider_url><![CDATA[https://arioso7.wordpress.com]]></provider_url><author_name><![CDATA[arioso7: Shirley Kirsten]]></author_name><author_url><![CDATA[https://arioso7.wordpress.com/author/arioso7/]]></author_url><title><![CDATA[The rolling wrist in Burgmuller&#8217;s &#8220;Harmony of the&nbsp;Angels&#8221;]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>Each of Burgmuller&#8217;s Op. 100, <em>25 Progressive Pieces</em> is more enchanting then the next, and bundled into every charmer is a technical goal to be met.</p>
<p>In &#8220;Harmony of the Angels&#8221; it&#8217;s abundantly clear that the supple wrist must roll forward, and the continuum of triplets from left hand to right must be in an uninterrupted flow.</p>
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