<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Arioso7&#039;s Blog (Shirley Kirsten)]]></provider_name><provider_url><![CDATA[https://arioso7.wordpress.com]]></provider_url><author_name><![CDATA[arioso7: Shirley Kirsten]]></author_name><author_url><![CDATA[https://arioso7.wordpress.com/author/arioso7/]]></author_url><title><![CDATA[The pianist as conductor, choreographer, and singer (Mozart Andante, Sonata in C Major, K.&nbsp;545)]]></title><type><![CDATA[link]]></type><html><![CDATA[How to integrate the physical, emotional and singable when learning Mozart's Sonata in C Major,  K. 545, Andante.]]></html></oembed>