<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Arioso7&#039;s Blog (Shirley Kirsten)]]></provider_name><provider_url><![CDATA[https://arioso7.wordpress.com]]></provider_url><author_name><![CDATA[arioso7: Shirley Kirsten]]></author_name><author_url><![CDATA[https://arioso7.wordpress.com/author/arioso7/]]></author_url><title><![CDATA[Piano Gym and remedial&nbsp;practice]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>I put myself out there in the piano gym arena not as a paragon of perfection but as a work in progress. The growth process counts most to me, along with the joy of fine tuning it.</p>
<p>That&#8217;s how I approached a set of warm-up arpeggios that needed remediation as snags arose.<br />
<strong></p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/h7qwt_O5fbk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
<p>A few big constellations that assist practicing:</strong></p>
<p><strong>Do Slow, build-up practice in gradated rhythms.</strong><br />
<strong><br />
Use physical motions that are musically EXPRESSIVE</strong></p>
<p>Starting quarters, for example, should feel like you&#8217;re drawing handfuls from a deep vat of CLAY&#8230;</strong></p>
<p><strong>Then transition to dip-rolls for two-note slurred groups of 8ths (shown in video) These follow the quarters.</strong><br />
<strong><br />
Play with SHAPE, expression</strong> AND DON&#8217;T forget to BREATHE deep, but natural breaths.</strong></p>
<p><strong>Think LONGER lines over the 16ths and 32nds  (faster note values)</strong><br />
<strong><br />
Have a nice, round, relaxed <em>turnaround</em> on the highest note and back down in the arpeggios (same is applied to scale practice)</strong><br />
<strong><br />
Use Rhythm practice where needed to tidy slip-ups (dotted-8th/16th or LONG/short/Long)</strong></p>
<p><strong> Or play deeper into one hand and lighter in the other, if the LH feels weak, for example.</strong></p>
<p><strong>Keep a journal of what WORKS, including mental images that improved performance, fluidity.</strong></p>
<p><strong>Use BIOFEEDBACK: Note how you FELT/BREATHED when the passage Worked!</strong></p>
<p>Bottom line: Playing beautifully through warm-ups or pieces, is more than fingers, wrists, and arms. It&#8217;s your whole being that&#8217;s invested when you play even one note.</p>
<p>Here&#8217;s a more basic tutorial re: the arpeggios previously explored:<br />
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/qRyAI91n-_w?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
<p>AND BLOCKING with Special EFFECTS<br />
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/oGrvLoDmn5c?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
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