<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Arioso7&#039;s Blog (Shirley Kirsten)]]></provider_name><provider_url><![CDATA[https://arioso7.wordpress.com]]></provider_url><author_name><![CDATA[arioso7: Shirley Kirsten]]></author_name><author_url><![CDATA[https://arioso7.wordpress.com/author/arioso7/]]></author_url><title><![CDATA[Piano Lessons: A raw adult beginner moves&nbsp;along]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>Each piano student shapes his own journey with the help of a cooperating teacher. </p>
<p>For one particular pupil, who came to his first lesson not reading a note of music, his burning desire to learn  ignited a playful romp through a set of duets. These are sourced from Faber&#8217;s <em>Accelerated Adventures for the Older Beginner.</em></p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/OWtp7Mmj8mM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/h9EUVm3C6no?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
<p>For our first few lessons, I used the PRIMER <em>Piano Adventures</em>, because I felt the Accelerated album moved too quickly, but at this FIFTH LESSON juncture, we&#8217;ve transitioned to material that seems custom-made in the adult hemisphere.</p>
<p>Because I&#8217;m not a dyed in the wool Method book teacher, I will wean him off the usual mass-marketed, spoon-fed pablum, and introduce repertoire that is &#8220;position&#8221;-less and drawn from contemporaries of the Masters. (Turk, Beyer, et al) But that&#8217;s in the offing.</p>
<p>For now we&#8217;re relishing a musical journey that&#8217;s enriched by ensemble playing.</p>
<p>(To this effect, I record Secondo parts or teacher accompaniments that I send to my adult students in progressive tempos. These enable baby-step practicing with  harmonic enrichment)</p>
<p><strong>FABER MINUET</strong><br />
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/vMmZ4PicKr0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
<p><strong>MIDNIGHT RIDE</strong><br />
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/QweLJBOpUB4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
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