<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Arioso7&#039;s Blog (Shirley Kirsten)]]></provider_name><provider_url><![CDATA[https://arioso7.wordpress.com]]></provider_url><author_name><![CDATA[arioso7: Shirley Kirsten]]></author_name><author_url><![CDATA[https://arioso7.wordpress.com/author/arioso7/]]></author_url><title><![CDATA[Staccato scales: Staying on the PLANE without a bumpy&nbsp;ride]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>Most students become very disconnected when traveling through a staccato scale so their journey from lift-off to landing is often bumpy.</p>
<p>In the E minor Natural form, for example, a redundant E, F# occurring in every octave will fool a player into thinking he&#8217;s got to brace for ELEVATION that makes his hand jerk forward on the seemingly <em>higher</em> black note.</p>
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<p>Psychologically and physically, the student will have lost his &#8220;center&#8221; of gravity in this lunge, deterring a smooth, even, horizontal passage from octave to octave.</p>
<p>On this particular journey of crisp, detached articulations, an adult pupil worked on braving obstacles that impeded him from enjoying a turbulence-free roll-in to final resolution by applying specific practice routines that included clustering or &#8220;chunking.&#8221; </p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/1Qr0BNS7toU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span> </p>
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