<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Arioso7&#039;s Blog (Shirley Kirsten)]]></provider_name><provider_url><![CDATA[https://arioso7.wordpress.com]]></provider_url><author_name><![CDATA[arioso7: Shirley Kirsten]]></author_name><author_url><![CDATA[https://arioso7.wordpress.com/author/arioso7/]]></author_url><title><![CDATA[A  Piano Gym Workout in Staccato before J.S.&nbsp;BACH]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>The Piano Fitness Club was in full swing as a well-prepared adult student and I romped through C# minor scales (3 forms) and B Major Arpeggios. <em>Shaping</em> detached notes in <em>piano</em> to <em>forte</em> dynamic ranges was the focus of a quick-paced hour.</p>
<p>The B-Major arpeggio, rendered in sprightly 10ths, was remediated in articulated paired sub-groups within a Eurhythmics framing. </p>
<p>Abounding energy permeating broken chords spilled into Bach&#8217;s ebullient Courante from his French Suite No. 5, BWV 816, rounding out the lesson.</p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/wafllAXL0Sg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/qusyYxbCKiw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
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