<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Arioso7&#039;s Blog (Shirley Kirsten)]]></provider_name><provider_url><![CDATA[https://arioso7.wordpress.com]]></provider_url><author_name><![CDATA[arioso7: Shirley Kirsten]]></author_name><author_url><![CDATA[https://arioso7.wordpress.com/author/arioso7/]]></author_url><title><![CDATA[Online Piano Lessons: Patience and Planning Amidst the&nbsp;Unexpected]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>Bundled into the universe of teaching piano Online, is the necessity to prepare for the unexpected. This means knowing what resources to dip into when there&#8217;s a substantial video or audio freeze. Face Time and Skype, for example, might occasionally not deliver, and when it becomes apparent that lesson continuity is at a virtual standstill, it&#8217;s time to break out the cell phone and mount it on a nearby tripod. It&#8217;s a two-way Student/Teacher contingency plan that <strong>S</strong>hould be <strong>I</strong>N <strong>P</strong>lace. (SIP)</p>
<p>In the event of a calamitous crash, my Targus tripod is preset at the right height with a keyboard angle adjustment just a minute away. The final accouterment is an easy reach extension cord that keeps my cell battery percolating at full power.</p>
<p>With a  boxed-in image of the student via an iPhone, combined with tinny audio output, I draw on Quicktime HD to record the lesson. The latter produces a big screen playback with Blue Yeti mic high fidelity sound that&#8217;s a win/win, on delay.</p>
<p>Incidentally, here&#8217;s the updated 23&#8242; HP Monitor that allows me to look directly at the student without straining my neck muscles. (That&#8217;s when we&#8217;re rolling along <em>without</em> the contingency plan in place) Otherwise, it&#8217;s the Quick Time Selfie&#8211;with a selected webcam keyboard view) </p>
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<p>Below are samples of two lessons to Scotland when Face Time crashed, salvaged by cell-to-cell transmission and Quick Time record.</p>
<p>Schumann &#8220;Bittendes Kind,&#8221; &#8220;Pleading Child&#8221; from Kinderszenen, Op.15</p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/m159kVR3MWA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
<p>***<br />
Domenico Scarlatti Sonata in D Minor, K. 9</p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/ti1U9_ERrSg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span>   </p>
<p>My pupil will play this selection at an upcoming Piano Club Zoom gathering.</p>
<p>****</p>
<p>Finally, despite occasional challenges, REMOTE lessons are flowing nicely with supplementary videos increasing in number to assist pupil practicing.</p>
<p>Of interest, these samples were recorded in split screen mode that created eye-catching keyboard choreographies. (Call Recorder)</p>
<p>To: Portugal (Staccato focus)<br />
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/afVZUuauSIk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;start=19&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
<p>California/California: Lesson in Progress, Schumann &#8220;First Sorrow,&#8221; Op. 68, No. 16<br />
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/x_dQRAu27DA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span> </p>
<p>During Shelter in Place, I&#8217;ve also increased my self-indulgent Tutorial uploads. This one encompasses a layered approach to practicing W.A. Mozart&#8217;s Andante movement, Sonata in C, K. 545. (What else would I do with my time?)</p>
<p>And finally, why not keep up my Repertoire Review!</p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/TSGRt0IofK4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
<p>(On the docket is &#8220;Butterfly&#8221; by Grieg from the composer&#8217;s <em>Lyric Pieces</em>)</p>
<p>Obviously, there&#8217;s lots to enjoy amidst the current despair.</p>
<p>So Chin up, elbows rotating, wrists undulating, and fingers dancing through cyber!</p>
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