So, I want to make it clear to the Aussies and Kiwis out there that I did not start this year angry or bad-tempered as the title of this post might imply. (This also reminds me that I am in my twentieth year here in South America…that’s a long time to have been away from Australia and any of the new expressions that may have been adopted into the local lingo.)

When I say “snaky” here, I am referring to the fact that the Chinese New Year, which will start on February 10, will herald the beginning of the Year of the Snake.

And why do I know this? Well, a Facebook friend shared the above image from a page called “The Journey to the Revelation of my Soul” and I saved it simply because….. I like the COLORS!

I am thinking that I must weave something with this color combination some time. Well, I kind of did in my sampler pictured above… but not quite. I want that rich burnt red background and that special shade of blue. Whoa…is this the structure and process person speaking?… now getting all excited about color?

Another reason the snake image appeals to me is that I happen to be starting the new year weaving a snake-like motif into my latest wall hanging project. I like to think of it as a boldly-patterned snake  winding its way back and forth across the cloth.

The pattern is based on one of the designs that Wayuu weavers work into their belts. Imagine my surprise when I got Mirja Wark’s book off the shelf, in which she describes and names the designs, to find that the particular pattern that I have been using as my inspiration is called pasatalo’ ouya which means “like the intestines of a cow”!

Okay…so, I am weaving a wall hanging with representations of cows’ noses and intestines. But, since I adapted the basic motif a lot so that it would be big and bold enough to fit the space in which I am working, I think I could allow myself to call it snaky instead. What do you think?

Sloooow going. I am not achieving the four finger widths which my teachers tell me is a good day’s work. Some days I am lucky if do three. It is, however, very exciting watching the pattern slither its way up the fabric.

It is giving me both a mental and physical workout, I can tell you! It is an extremely dense two-heddle complementary-warp structure and opening the heddles is hard work. While the tiny elements of pattern within the main shape are very repetitive and easy to read, there are just so many warps to handle! I feel that I deserve to get up and go eat mango after every pick!

I like to think of the figures on this sash that I wove a long time ago as snakes. I copied the design from a textile from pre- Colombian Peru. Who knows what the weavers of the original fabric were seeing when they created these motifs on their cloth.

The snake is an important figure in Guaraní weaving legends. My teacher tells me that it was a snake that appeared in the dreams of the first weaver and taught her the weaving designs. When Guaraní weavers of the Izoceña group weave the zig-zagging snake skin patterns in their cloth they are also representing the Isoso river along which they have settled. The snake and the river are one.

I wove Guarani inspired snake skin designs into this guitar strap.

The Mayan Goddess of Weaving, Ixchel, is most often depicted with a snake or snakes on her head or entwined in her hair…

I was told that this is one of the reasons why many Guatemalan women weave richly colored sashes to wrap about their heads and around their hair. The sashes vary enormously, in width, length, color, design and weaving technique  from place to place. It is also interesting to see the different ways they are worn….

by a lady from Santiago Atitlan above…

…and by this sash weaver in Zunil.

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Wishing you all the very best for the new year surrounded by completely non-“snaky” (in the Australian sense of the word) folk!

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