<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Occasionally Coherent]]></provider_name><provider_url><![CDATA[http://blog.bimajority.org]]></provider_url><author_name><![CDATA[Garrett Wollman]]></author_name><author_url><![CDATA[https://blog.bimajority.org/author/garrettwollman/]]></author_url><title><![CDATA[Summer entertainment: time to make a&nbsp;choice]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>Today I got my annual envelope from the BSO inviting me to pre-order tickets for the upcoming Tanglewood season.  I&#8217;ve never had any interest in classical music, but every year since 2007 I&#8217;ve gone for the &#8220;Prairie Home Companion&#8221; live broadcast which takes place on the last weekend in June (before the Tanglewood season proper begins).  The first year I went alone; the second year I had along some friends, and since then it&#8217;s been a family tradition.  At some point they started sending these preorder booklets, with the whole summer schedule, but they don&#8217;t seem to help much when it comes to getting the best seats.</p>
<p>This year, my parents are moving away, and all of the NPR listeners I know who actually live in the area, and might otherwise be persuaded to go, absolutely despise Garrison Keillor.  For me it&#8217;s always been a fun time, and even the parts of the show that I find teeth-grindingly annoying on the radio are entertaining when shared with a crowd of a thousand.  But I&#8217;m not sure I care to go alone this time.  I have only a few days to decide, if I want to get good seats, as they go on pre-sale next Tuesday at 10 AM.</p>
<p>I&#8217;d actually like to go to more live performance events, but usually I don&#8217;t find out about the ones I&#8217;d be interested in until they are already sold out.  Following people on Twitter doesn&#8217;t really help, since I follow far too many chatty Twitter accounts to actually read more than a fraction of the tweets (and in any case, far too many musicians&#8217; accounts are either roboposters originating on Facebook or roboposters run out of some publicist&#8217;s office somewhere &#8212; I generally don&#8217;t care to follow the accounts of people who just spew advertising without ever interacting with the actual humans who follow them.)</p>
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