<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Buttle&#039;s World]]></provider_name><provider_url><![CDATA[https://buttle.wordpress.com]]></provider_url><author_name><![CDATA[clgood]]></author_name><author_url><![CDATA[https://buttle.wordpress.com/author/buttle/]]></author_url><title><![CDATA[A Peek Inside a Master&#8217;s&nbsp;Head]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>Visualization can be a great way to catch a glimpse of how something complicated works &#8211; especially the creative mind. Watching the <a href="http://video.stumbleupon.com/#p=q9jp7qzkh2">animated sheet music</a> to Coltrane&#8217;s <em>Giant Steps</em> is a fascinating look into how he did it even if, like me, your sheet music reading skills are less than stellar and your music theory knowledge minimal. <a href="http://breathears.com/">David Slusser</a>, a coworker of mine and a mean sax player himself, said</p>
<blockquote><p>Really nice, but music readers should take note that the sheet music switches from concert key (piano part) in the head (melody), to the Bb tenor part a whole step up when Trane starts soloing, and then back again for the out head. Otherwise this person did a great musical service.  That&#8217;s pretty much what one hemisphere of my brain is doing whenever I listen to this piece (and I&#8217;ve been trying to play it on tenor for decades).  It also brought out one great aspect of true jazz artistry&#8230;did you notice how the rests popped?  They swung (the masters always used negative space &#8211; it&#8217;s just as important what and when you leave something out).</p></blockquote>
<p>This <a href="http://www.heplaysjazz.btinternet.co.uk/giants.html">geometric interpretation</a> is also interesting.</p>
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