<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Engage!]]></provider_name><provider_url><![CDATA[http://engagedharma.net]]></provider_url><author_name><![CDATA[Shaun Bartone]]></author_name><author_url><![CDATA[https://engagedharma.net/author/onestrawrevolution/]]></author_url><title><![CDATA[Tantric Theatre: Artaud and the Performance of the&nbsp;Abject]]></title><type><![CDATA[link]]></type><html><![CDATA[<p><strong><a title="Permanent Link to Hear Antonin Artaud’s Censored, Never-Aired Radio Play: &lt;i&gt;To Have Done With The Judgment of God&lt;/i&gt; (1947)" href="http://www.openculture.com/2014/09/antonin-artauds-censored-never-aired-radio-play.html" rel="bookmark">Hear Antonin Artaud’s Censored, Never-Aired Radio Play: <i>To Have Done With The Judgment of God</i>(1947)</a></strong></p>
<p class="byline">in <em><a title="View all posts in Radio" href="http://www.openculture.com/category/radio-2" rel="category tag">Radio</a>, <a title="View all posts in Theatre" href="http://www.openculture.com/category/theater" rel="category tag">Theatre</a></em> | September 11th, 2014 <a title="Comment on Hear Antonin Artaud’s Censored, Never-Aired Radio Play: To Have Done With The Judgment of God (1947)" href="http://www.openculture.com/2014/09/antonin-artauds-censored-never-aired-radio-play.html#disqus_thread">Leave a Comment</a></p>
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<p><a href="http://cdn8.openculture.com/wp-content/uploads/2014/09/Antonin_Artaud_jeune_b_SD-1.jpg"><img class="alignleft size-full wp-image-95745" src="https://i2.wp.com/cdn8.openculture.com/wp-content/uploads/2014/09/Antonin_Artaud_jeune_b_SD-1.jpg" alt="Antonin_Artaud_jeune_b_SD (1)" width="480" height="612" /></a></p>
<p><a href="http://www.poetryfoundation.org/bio/antonin-artaud">Antonin Artaud</a> had his first mental breakdown at the age of 16 and, from there on out, spent much of his life in and out of asylums. <a href="http://www.slate.com/articles/arts/art/1996/10/mad_as_hell.html">Diagnosed</a> with “incurable paranoid delirium,” Artaud suffered from hallucinations,<a href="http://www.britannica.com/EBchecked/topic/599257/glossolalia">glossolalia</a>, and bouts of violent rage. And his treatment probably did about as much harm as it did good. He was prescribed laudanum, which gave him a lifelong addiction to opiates. He endured some truly horrific procedures like electric shock treatment along with the highly dubious insulin therapy, which put him in a coma for a while.</p>
<p>In spite of this, Artaud proved to be a hugely influential theorist and playwright, famous for coining the term, <a href="http://en.wikipedia.org/wiki/Theatre_of_Cruelty">“Theater of Cruelty.”</a> His performances were designed to assault the senses and sensibilities of the audience and awaken them to the base realities of life — sex, torture, murder and bodily fluids. Artaud wanted to break down the boundary between actor and audience and create an event that was ecstatic, uncontained and even dangerous. His ideas revolutionized the stage. As the late great <a href="http://en.wikipedia.org/wiki/Susan_Sontag">Susan Sontag</a> once <a href="http://www.nytimes.com/2008/02/10/theater/10blank.html?_r=0">wrote</a>, “no one who works in the theater now is untouched by the impact of Artaud’s specific ideas.”</p>
<p>But generally speaking, his ideas about theater were more popular than his actual productions. One of his most famous plays, first staged in 1935, was<em>Les Cenci</em>, about a father who rapes his daughter and then gets brutally killed by his daughter’s hired thugs. The play was a flop when it debuted, running for a mere 17 performances. Even Sontag conceded that <em>Les Cenci</em>was “not a very good play.”</p>
<p>Artaud’s last work was an audio piece called <em><a href="https://ia600506.us.archive.org/11/items/ToHaveDoneWithTheJudgmentOfGodWrittenAndReadByAntoninArtaud/ToHaveDoneWithTheJudgmentOfGodWrittenAndReadByAntoninArtaud_64kb.m3u">To Have Done With The Judgment Of God</a> (<i><span lang="fr" xml:lang="fr">Pour en Finir avec le Jugement de dieu)</span></i>,</em> and it proved to be equally unpopular, at least with some very important people. Commissioned by Ferdinand Pouey, head of the dramatic and literary broadcasts for French Radio in 1947, the work was written by Artaud after he spent the better part of WWII interned in an asylum where he endured the worst of his treatment. The piece is as raw and emotionally naked as you might expect –an anguished rant against society. A raving screed filled with scatological imagery, screams, nonsense words, anti-American invectives and anti-Catholic pronouncements.</p>
<p>The piece (above) was slated to air on January 2, 1948 but station director Vladimir Porché yanked it at the last moment. Apparently, he wasn’t terribly fond of the copious references to poop and semen nor the anti-American vitriol. Porché’s rejection caused a <em>cause célèbre</em> among Parisian intellectuals. <a href="http://en.wikipedia.org/wiki/Ren%C3%A9_Clair">René Clair</a>, <a href="http://www.jeancocteau.com/">Jean Cocteau</a> and <a href="http://www.poets.org/poetsorg/poet/paul-%C3%A9luard">Paul Éluard</a> among others loudly protested the decision, and Pouey even resigned from his job in protest, but to no avail. It never aired. Artaud, who reportedly took the rejection very personally, died a month later. You can listen to the broadcast above. And, in case your French isn’t up to snuff, you can still appreciate its theatrical elements, maybe while reading an English <a href="http://www.surrealism-plays.com/Artaud.html">translation of the radio play script here</a>.</p>
<p>If you can’t get enough of Artaud’s final work, you can watch this staged version of <em>To Have Done With the Judgment of God</em> <a href="https://www.youtube.com/watch?v=VHtrY1UtwNs">below</a> starring Billy Barnum and <a href="http://art-energy.org/johnmusician.html">John Voigt</a> (no, not Angelina Jolie’s father, the avant-garde musician).</p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' type='text/html' width='640' height='360' src='https://www.youtube.com/embed/VHtrY1UtwNs?version=3&#038;rel=1&#038;fs=1&#038;autohide=2&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' allowfullscreen='true' style='border:0;'></iframe></span></p>
<p>Via <a href="https://wfmu.org/LCD/GreatDJ/artaud.html">WFMU</a></p>
<p><strong>Related Content: </strong></p>
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<p><em><strong>Jonathan Crow</strong> is a Los Angeles-based writer and filmmaker whose work has appeared in Yahoo!, The Hollywood Reporter, and other publications. You can follow him at <a href="http://twitter.com/jonccrow" target="_BLANK">@jonccrow</a>. <em>And check out his blog <a href="http://www.jonathan-crow.com/">Veeptopus</a>, featuring one new drawing of a <a href="http://www.jonathan-crow.com/">vice president </a>with an octopus on his head daily. </em></em></p>
<p>&nbsp;</p>
<div id="container">
<div id="wrapper">
<div id="content"><span style="color:#000000;font-family:Impact;font-size:xx-large;"><b>TO HAVE DONE WITH</p>
<p>THE JUDGEMENT OF GOD</b></span></p>
<p><span style="color:#ff0000;font-family:Impact;font-size:x-large;">by Antonin Artaud</span></p>
<p><img src="https://i2.wp.com/www.surrealism-plays.com/artaud-late.jpg" alt="Antonin Artaud" width="185" height="185" align="" border="0" /></p>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;"><i><b>Note:</b></i> Having spent much of his final years in various mental asylums, Artaud resurfaced in 1947 with a radio play <i>To Have Done With the Judgment of god</i>. Although the work remained true to his Theatre of Cruelty, utilizing an array of unsettling sounds, cries, screams and grunts, it was shelved by French Radio the day before it was scheduled to air, on February 2, 1948. Artaud died one month later.</span></div>
<div></div>
<div>English translation below the fold.</div>
<div><!--more--></p>
<table>
<tbody>
<tr>
<td><b>kré</b></td>
<th width="80"></th>
<td></td>
<th width="80"></th>
<td><b>puc te</b></td>
</tr>
<tr>
<td><b>kré</b></td>
<th width="80"></th>
<td>Everything must</td>
<th width="80"></th>
<td><b>puk te</b></td>
</tr>
<tr>
<td><b>pek</b></td>
<th width="80"></th>
<td>be arranged</td>
<th width="80"></th>
<td><b>li le</b></td>
</tr>
<tr>
<td><b>kré</b></td>
<th width="80"></th>
<td>to a hair</td>
<th width="80"></th>
<td><b>pek ti le</b></td>
</tr>
<tr>
<td><b>e</b></td>
<th width="80"></th>
<td>in a fulminating</td>
<th width="80"></th>
<td><b>kruk</b></td>
</tr>
<tr>
<td><b>pte</b></td>
<th width="80"></th>
<td>order.</td>
<th width="80"></th>
<td></td>
</tr>
</tbody>
</table>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">I learned yesterday<br />
(I must be behind the times, or perhaps it&#8217;s only a false<br />
rumor, one of those pieces of spiteful gossip that are circulated between sink and latrine at the hour when meals that have been ingurgitated one more time are thrown in the slop buckets),<br />
I learned yesterday<br />
one of the most sensational of those official practices of American public schools<br />
which no doubt account for the fact that this country believes itself to be in the vanguard of progress,<br />
It seems that, among the examinations or tests required of a child entering public school for the first time, there is the so-called seminal fluid or sperm test,<br />
which consists of asking this newly entering child for a small<br />
amount of his sperm so it can be placed in a jar<br />
and kept ready for any attempts at artificial insemination that might later take place.<br />
For Americans are finding more and more that they lack muscle<br />
and children,<br />
that is, not workers<br />
but soldiers,<br />
and they want at all costs and by every possible means to make and manufacture soldiers<br />
with a view to all the planetary wars which might later take place,<br />
and which would be intended to <i>demonstrate</i> by the over-whelming virtues of force<br />
the superiority of American products,<br />
and the fruits of American sweat in all fields of activity and of the superiority of the possible dynamism of force.<br />
Because one must produce,<br />
one must by all possible means of activity replace nature<br />
wherever it can be replaced,<br />
one must find a major field of action for human inertia,<br />
the worker must have something to keep him busy,<br />
new fields of activity must be created,<br />
in which we shall see at last the reign of all the fake manufactured products,<br />
of all the vile synthetic substitutes<br />
in which beatiful real nature has no part,<br />
and must give way finally and shamefully before all the victorious substitute products<br />
in which the sperm of all artificial insemination factories<br />
will make a miracle<br />
in order to produce armies and battleships.<br />
No more fruit, no more trees, no more vegetables, no more plants pharmaceutical or otherwise and consequently no more food,<br />
but synthetic products to satiety,<br />
amid the fumes,<br />
amid the special humors of the atmosphere, on the particular axes of atmospheres wrenched violently and synthetically from the resistances of a nature which has known nothing of war except fear.<br />
And war is wonderful, isn&#8217;t it?<br />
For it&#8217;s war, isn&#8217;t it, that the Americans have been preparing for and are preparing for this way step by step.<br />
In order to defend this senseless manufacture from all competition that could not fail to arise on all sides,<br />
one must have soldiers, armies, airplanes, battleships,<br />
hence this sperm<br />
which it seems the governments of America have had the effrontery to think of.<br />
For we have more than one enemy lying in wait for us,<br />
my son,<br />
we, the born capitalists,<br />
and among these enemies<br />
Stalin&#8217;s Russia<br />
which also doesn&#8217;t lack armed men.</p>
<p>All this is very well,<br />
but I didn&#8217;t know the Americans were such a warlike people.<br />
In order to fight one must get shot at<br />
and although I have seen many Americans at war<br />
they always had huge armies of tanks, airplanes, battleships<br />
that served as their shield.<br />
I have seen machines fighting a lot<br />
but only infinitely far behind them have I seen the men who directed them.<br />
Rather than people who feed their horses, cattle, and mules the last tons of real morphine they have left and replace it with substitutes made of smoke,<br />
I prefer the people who eat off the bare earth the delirium from which they were born<br />
I mean the Tarahumara eating Peyote off the ground<br />
while they are born,<br />
and who kill the sun to establish the kingdom of black night,<br />
and who smash the cross so that the spaces of spaces can never again meet and cross.</p>
<p>And so you are going to hear the dance of <em><i>TUTUGURI</i></em><strong>.</p>
<p></strong></span></p>
<p><b><span style="font-family:'Lucida Sans';font-size:large;">TUTUGURI</span></b></p>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:large;"><b>The Rite of the Black Sun</b></span></p>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">And below, as if at the foot of the bitter slope,<br />
cruelly despairing at the heart,<br />
gapes the circle of the six crosses,<br />
very low<br />
as if embedded in the mother earth,<br />
wrenched from the foul embrace of the mother<br />
who drools.</p>
<p></span><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">The earth of black coal<br />
is the only damp place<br />
in this cleft rock.</p>
<p></span></p>
<p>The Rite is that the new sun passes through seven points before blazing on the orifice of the earth.</p>
<p>And there are six men,<br />
one for each sun,<br />
and a seventh man<br />
who is the sun<br />
in the raw<br />
dressed in black and in red flesh.</p>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">But, this seventh man<br />
is a horse,<br />
a horse with a man leading him.<br />
</span><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;"><br />
But it is the horse<br />
who is the sun<br />
and not the man.</p>
<p>At the anguish of a drum and a long trumpet,<br />
strange,<br />
the six men<br />
who were lying down,<br />
rolling level with the ground,<br />
leap up one by one like sunflowers,<br />
not like suns<br />
but turning earths,<br />
water lilies,<br />
and each leap<br />
corresponds to the increasingly somber<br />
and restrained<br />
gong of the drum<br />
until suddenly he comes galloping, at vertiginous speed,<br />
the last sun,<br />
the first man,<br />
the black horse with a</span></p>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">naked man,<br />
absolutely naked<br />
and virgin<br />
riding it.<br />
</span>After they leap up, they advance in winding circles<br />
and the horse of bleeding meat rears<br />
and prances without a stop<br />
on the crest of his rock<br />
until the six men<br />
have surrounded<br />
completely<br />
the six crosses.</p>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">Now, the essence of the Rite is precisely</span></p>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:large;"><b>The Abolition of the Cross</b></span></p>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">When they have stopped turning<br />
they uproot<br />
the crosses of earth<br />
and the naked man<br />
on the horse<br />
holds up<br />
an enormous horseshoe<br />
which he has dipped in a gash of his blood.</p>
<p><b>The Pursuit of Fecality</b></span></p>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">There where it smells of shit<br />
it smells of being.<br />
Man could just as well not have shat,<br />
not have opened the anal pouch,<br />
but he chose to shit<br />
as he would have chosen to live<br />
instead of consenting to live dead.<br />
</span></p>
<p>Because in order not to make caca,<br />
he would have had to consent<br />
not to be,<br />
but he could not make up his mind to lose<br />
being,<br />
that is, to die alive.</p>
<p>There is in being<br />
something particularly tempting for man<br />
and this something is none other than<br />
<b>CACA.</b><br />
(<i>Roaring here.</i>)</p>
<p>To exist one need only let oneself be,<br />
but to live,<br />
one must be someone,<br />
to be someone,<br />
one must have a BONE,<br />
not be afraid to show the bone,<br />
and to lose the meat in the process.</p>
<p>Man has always preferred meat<br />
to the earth of bones.<br />
Because there was only earth and wood of bone,<br />
and he had to earn his meat,<br />
there was only iron and fire<br />
and no shit,<br />
and man was afraid of losing shit<br />
or rather he desired shit<br />
and, for this, sacrificed blood.</p>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">In order to have shit,<br />
that is, meat,<br />
where there was only blood<br />
and a junkyard of bones<br />
and where there was no being to win<br />
but where there was only life to lose</span></p>
<p><b>o reche modo<br />
to edire<br />
di za<br />
tau dari<br />
do padera coco<br />
</b><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">At this point, man withdrew and fled.<br />
</span>Then the animals ate him.</p>
<p>It was not a rape,<br />
he lent himself to the obscene meal.</p>
<p>He relished it,<br />
he learned himself<br />
to act like an animal<br />
and to eat rat<br />
daintily.</p>
<p>And where does this foul debasement come from?</p>
<p>The fact that the world is not yet formed,<br />
or that man has only a small idea of the world<br />
and wants to hold on to it forever?</p>
<p>This comes from the fact that man,<br />
one fine day,<br />
<i>stopped</i><br />
the idea of the world.</p>
<p>Two paths were open to him:<br />
that of the infinite without,<br />
that of the infinitesimal within.</p>
<p>And he chose the infinitesimal within.<br />
Where one need only squeeze<br />
the spleen,<br />
the tongue,<br />
the anus<br />
or the glans.</p>
<p>And god, god himself squeezed the movement.</p>
<p>Is God a being?<br />
If he is one, he is shit.<br />
If he is not one<br />
he does not exist.</p>
<p>But he does not exist,<br />
except as the void that approaches with all its forms<br />
whose most perfect image<br />
is the advance of an incalculable group of crab lice.</p>
<p>&#8220;You are mad Mr. Artaud, what about the mass?&#8221;</p>
<p>I deny baptism and the mass.<br />
There is no human act,<br />
on the internal erotic level,<br />
more pernicious than the descent<br />
of the so-called jesus-christ<br />
onto the altars.</p>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">No one will believe me<br />
and I can see the public shrugging its shoulders<br />
but the so-called christ is none other than he<br />
who in the presence of the crab louse god<br />
consented to live without a body,<br />
while an army of men<br />
descended from a cross,<br />
to which god thought he had long since nailed them,<br />
has revolted,<br />
and, armed with steel,<br />
with blood,<br />
with fire, and with bones,<br />
advances, reviling the Invisible<br />
to have done with <b>GOD&#8217;S JUDGMENT.</b></span></p>
<p><b><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">The Question Arises&#8230;</span></b></p>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">What makes it serious<br />
is that we know<br />
that after the order<br />
of this world<br />
there is another.<br />
</span></p>
<p>What is it like?</p>
<p>We do not know.</p>
<p>The number and order of possible suppositions in<br />
this realm<br />
is precisely<br />
infinity!</p>
<p>And what is infinity?</p>
<p>That is precisely what we do not know!</p>
<p>It is a word<br />
that we use<br />
to indicate<br />
<i>the opening</i><br />
of our consciousness<br />
toward possibility<br />
beyond measure,<br />
tireless and beyond measure.</p>
<p>And precisely what is consciousness?</p>
<p>That is precisely what we do not know.</p>
<p>It is nothingness.</p>
<p>A nothingness<br />
that we use<br />
to indicate<br />
when we do not know something<br />
from what side<br />
we do not know it<br />
and so<br />
we say<br />
consciousness,<br />
from the side of consciousness,<br />
but there are a hundred thousand other sides.</p>
<p>Well?</p>
<p>It seems that consciousness<br />
in us is<br />
linked<br />
to sexual desire<br />
and to hunger;</p>
<p>but it could<br />
just as well<br />
not be linked<br />
to them.</p>
<p>One says,<br />
one can say,<br />
there are those who say<br />
that consciousness<br />
is an appetite,<br />
the appetite for living;</p>
<p>and immediately<br />
alongside the appetite for living,<br />
it is the appetite for food<br />
that comes immediately to mind;</p>
<p>as if there were not people who eat<br />
without any sort of appetite;<br />
and who are hungry.</p>
<p>For this too<br />
exists<br />
to be hungry<br />
without appetite;</p>
<p>well?</p>
<p>Well<br />
the space of possibility<br />
was given to me one day<br />
like a loud fart<br />
that I will make;<br />
but neither of space,<br />
nor possibility,<br />
did I know precisely what it was,</p>
<p>and I did not feel the need to think about it,</p>
<p>they were words<br />
invented to define things<br />
that existed<br />
or did not exist<br />
in the face of<br />
the pressing urgency<br />
of a need:<br />
the need to abolish the idea,<br />
the idea and its myth,<br />
and to enthrone in its place<br />
the thundering manifestation<br />
of this explosive necessity:<br />
to dilate the body of my internal night,</p>
<p>the internal nothingness<br />
of my self</p>
<p>which is night,<br />
nothingness,<br />
thoughtlessness,</p>
<p>but which is explosive affirmation<br />
that there is<br />
something<br />
to make room for:</p>
<p>my body.</p>
<p>And truly<br />
must it be reduced to this stinking gas,<br />
my body?<br />
To say that I have a body<br />
because I have a stinking gas<br />
that forms<br />
inside me?</p>
<p>I do not know<br />
but<br />
I do know that</p>
<ul>
<ul>space,</ul>
</ul>
<ul>
<ul>time,</ul>
</ul>
<ul>
<ul>dimension,</ul>
</ul>
<ul>
<ul>becoming,</ul>
</ul>
<ul>
<ul>future,</ul>
</ul>
<ul>
<ul>destiny,</ul>
</ul>
<ul>
<ul>being,</ul>
</ul>
<ul>
<ul>non-being,</ul>
</ul>
<ul>
<ul>self,</ul>
</ul>
<ul>
<ul>non-self,</ul>
</ul>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">are nothing to me;<br />
</span>but there is a thing<br />
which is something,<br />
only one thing<br />
which is something,<br />
and which I feel<br />
because it wants<br />
TO GET OUT:<br />
the presence<br />
of my bodily<br />
suffering,</p>
<p>the menacing,<br />
never tiring<br />
presence<br />
of my<br />
body;</p>
<p>however hard people press me with questions<br />
and however vigorously I deny all questions,<br />
there is a point<br />
at which I find myself compelled<br />
to say no,</p>
<p><b><i>NO</i></b>then<br />
to negation;</p>
<p>and this point<br />
comes when they press me,</p>
<p>when they pressure me<br />
and when they handle me<br />
until the exit<br />
from me<br />
of nourishment,<br />
of my nourishment<br />
and its milk,</p>
<p>and what remains?</p>
<p>That I am suffocated;</p>
<p>and I do not know if it is an action<br />
but in pressing me with questions this way<br />
until the absence<br />
and nothingness<br />
of the question<br />
they pressed me<br />
until the idea of body<br />
and the idea of being a body<br />
was suffocated<br />
in me,</p>
<p>and it was then that I felt the obscene</p>
<p>and that I farted<br />
from folly<br />
and from excess<br />
and from revolt<br />
at my suffocation.</p>
<p>Because they were pressing me<br />
to my body<br />
and to the very body</p>
<p>and it was then<br />
that I exploded everything<br />
because my body<br />
can never be touched.</p>
<p><span style="font-size:large;"><b>Conclusion</b></span></p>
<ul>
<ul>&#8211;</ul>
</ul>
<p><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">And what was the purpose of this broadcast, Mr. Artaud?<br />
</span><span style="color:#000000;font-family:'Lucida Sans';font-size:medium;">&#8211; Primarily to denounce certain social obscenities officially sanctioned and acknowledged:</span></p>
<ol>
<li>this emission of infantile sperm donated by children for the artificial insemination of fetuses yet to be born and which will be born in a century or more.</li>
<li>To denounce, in this same American people who occupy the whole surface of the former Indian continent, a rebirth of that warlike imperialism of early America that caused the pre-Columbian Indian tribes to be degraded by the aforesaid people.</li>
<li>&#8211; You are saying some very bizarre things, Mr. Artaud.</li>
<li>&#8211; Yes, I am saying something bizarre, that contrary to everything we have been led to believe, the pre-Columbian Indians were a strangely civilized people and that in fact they knew a form of civilization based exclusively on the principle of cruelty.</li>
<li>&#8211; And do you know precisely what is meant by cruelty?</li>
<li>&#8211; Offhand, no, I don&#8217;t.</li>
<li>&#8211; Cruelty means eradicating by means of blood and until blood flows, god, the bestial accident of unconscious human animality, wherever one can find it.</li>
<li>&#8211; Man, when he is not restrained, is an erotic animal,<br />
he has in him an inspired shudder,<br />
a kind of pulsation<br />
that produces animals without number which are the form that the ancient tribes of the earth universally attributed to god.<br />
This created what is called a spirit.<br />
Well, this spirit originating with the American Indians is reappearing all over the world today under scientific poses which merely accentuate its morbid infectuous power, the marked condition of vice, but a vice that pullulates with diseases,<br />
because, laugh if you like,<br />
what has been called microbes</p>
<ul>is god,</ul>
<p>and do you know what the Americans and the Russians use to make their atoms?<br />
They make them with the microbes of god.</li>
</ol>
<ul>
<ul>&#8211; You are raving, Mr. Artaud.</ul>
</ul>
<ul>
<ul>You are mad.</ul>
</ul>
<p>&#8211; I am not raving.<br />
I am not mad.<br />
I tell you that they have reinvented microbes in order to impose a new idea of god.</p>
<p>They have found a new way to bring out god and to capture him in his microbic noxiousness.</p>
<p>This is to nail him though the heart,<br />
in the place where men love him best,<br />
under the guise of unhealthy sexuality,<br />
in that sinister appearance of morbid cruelty that he adopts<br />
whenever he is pleased to tetanize and madden humanity as he<br />
is doing now.</p>
<p>He utilizes the spirit of purity and of a consciousness that has<br />
remained candid like mine to asphyxiate it with all the false<br />
appearances that he spreads universally through space and this<br />
is why Artaud le Mômo can be taken for a person suffering<br />
from hallucinations.</p>
<p>&#8211; What do you mean, Mr. Artaud?</p>
<p>&#8211; I mean that I have found the way to put an end to this ape once and for all<br />
and that although nobody believes in god any more everybody believes more and more in man.</p>
<p>So it is man whom we must now make up our minds to emasculate.</p>
<p>&#8211; How&#8217;s that?</p>
<ul>
<ul>
<ul>How&#8217;s that?</ul>
</ul>
</ul>
<ul>
<ul>No matter how one takes you you are mad, ready for the straitjacket.</ul>
</ul>
<p>&#8211; By placing him again, for the last time, on the autopsy table to remake his anatomy.<br />
I say, to remake his anatomy.<br />
Man is sick because he is badly constructed.<br />
We must make up our minds to strip him bare in order to scrape off that animalcule that itches him mortally,</p>
<ul>
<ul>
<ul>god,</ul>
</ul>
</ul>
<ul>
<ul>
<ul>and with god</ul>
</ul>
</ul>
<ul>
<ul>
<ul>his organs.</ul>
</ul>
</ul>
<p>For you can tie me up if you wish,<br />
but there is nothing more useless than an organ.</p>
<p>When you will have made him a body without organs,<br />
then you will have delivered him from all his automatic reactions<br />
and restored him to his true freedom.</p>
<p>They you will teach him again to dance wrong side out<br />
as in the frenzy of dance halls<br />
and this wrong side out will be his real place.</p>
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