<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[fucktheradio]]></provider_name><provider_url><![CDATA[https://fucktheradio.wordpress.com]]></provider_url><author_name><![CDATA[Chris]]></author_name><author_url><![CDATA[https://fucktheradio.wordpress.com/author/agorilladressedaschris/]]></author_url><title><![CDATA[Ta-Ku &#8211; 50 Days For Dilla Vol.&nbsp;2]]></title><type><![CDATA[link]]></type><html><![CDATA[<p><img class="alignnone" title="DILLA" src="https://i1.wp.com/f0.bcbits.com/z/24/84/2484171130-1.png" alt="" width="432" height="445" /></p>
<p><strong><a title="Ta-Ku – Pokyo" href="https://fucktheradio.wordpress.com/2012/04/23/ta-ku-pokyo/">Ta-Ku</a> </strong>has been kicking-ass after ass with his consistent high-quality beat-releases, and the <em>50 Days of Dilla </em>project is possibly his most ambitious and successful yet. <em>50 Days for Dilla vol. 1</em> was released digitally under <strong>HW&amp;W</strong> in March with the vinyl following two months later in May as <strong>HW&amp;W</strong>&#8216;s first official vinyl release. The vinyl sold out within 6 hours of its online release and I managed to bag the second-to-last copy.</p>
<p>Vol. 2 was released online on July 24th and for $10, the remaining 25 tracks of the project can be yours&#8230; Or you can hang-out for the vinyl (they&#8217;d be crazy not to release one after the last response).</p>
<p>The remaining 25 beats are brief (none break the 3 minute mark, as with the previous volume), however I wouldn&#8217;t want to attempt a feat like producing a beat every day for 50 days, so the length is easily forgivable. The quality is of a standard which can be expected from an established producer like <strong>Ta-Ku</strong>, the drums swing <em>just right</em>, the samples stutter and glitch to neat effect&#8230; and the overall feel of the record is something I could have constantly on in the background without a worry. The <strong>Dilla </strong>inspiration is clear and present- somewhat overpowering in-fact. I would have liked to see a little more deviation and stylistic twist from <strong>Ta-Ku </strong>considering his past proven skills with glitchy electronics, however this is not the aim of the record- as a tribute album, it works quite fantastically.</p>
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