<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[:&gt;)azZClefs#]]></provider_name><provider_url><![CDATA[http://jazzatelier.com]]></provider_url><author_name><![CDATA[Heervee]]></author_name><author_url><![CDATA[https://jazzatelier.com/author/rvel/]]></author_url><title><![CDATA[Theorie de la Musique&nbsp;(1857)]]></title><type><![CDATA[link]]></type><html><![CDATA[<p style="text-align:center;">déduite de la considération des nombres relatifs de vibrations</p>
<p style="text-align:center;">par D. Deloche</p>
<p style="text-align:center;">Etienne Giraud, Libraire Editeur, 16 Rue Dauphine, Paris , 1857</p>
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<p style="text-align:center;">&#8230; Au dire de Plutarque, les deux plus célèbres musiciens de l&#8217;Antiquité, Olympe et Terpandre, ne se servaient jamais que de trois notes&#8230;. (p22)</p>
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