<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[:&gt;)azZClefs#]]></provider_name><provider_url><![CDATA[http://jazzatelier.com]]></provider_url><author_name><![CDATA[Heervee]]></author_name><author_url><![CDATA[https://jazzatelier.com/author/rvel/]]></author_url><title><![CDATA[Vocalese Jazz]]></title><type><![CDATA[link]]></type><html><![CDATA[<p><strong>Vocalese</strong> is a style or genre of jazz singing wherein lyrics are written for melodies that were originally part of an all-instrumental composition or improvisation. Whereas <strong>scat </strong>singing uses improvised nonsense syllables, such as &#8220;bap ba dee dot bwee dee&#8221; in solos, <strong>vocalese uses lyrics</strong>, either improvised or set to pre-existing instrumental solos. The word &#8220;<strong>vocalese</strong>&#8221; is a play on the musical term &#8220;vocalise&#8221; and the suffix &#8220;-ese&#8221;, meant to indicate a sort of language.<a href="https://jazzatelier.files.wordpress.com/2010/12/lhross.jpg"><img loading="lazy" data-attachment-id="3912" data-permalink="https://jazzatelier.com/2010/10/01/vocalese-jazz/lhross/" data-orig-file="https://jazzatelier.files.wordpress.com/2010/12/lhross.jpg" data-orig-size="295,295" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="lhross" data-image-description="" data-medium-file="https://jazzatelier.files.wordpress.com/2010/12/lhross.jpg?w=295" data-large-file="https://jazzatelier.files.wordpress.com/2010/12/lhross.jpg?w=295" class="alignright size-full wp-image-3912" title="lhross" src="https://jazzatelier.files.wordpress.com/2010/12/lhross.jpg?w=200&#038;h=200" alt="" width="200" height="200" srcset="https://jazzatelier.files.wordpress.com/2010/12/lhross.jpg?w=200&amp;h=200 200w, https://jazzatelier.files.wordpress.com/2010/12/lhross.jpg?w=96&amp;h=96 96w, https://jazzatelier.files.wordpress.com/2010/12/lhross.jpg 295w" sizes="(max-width: 200px) 100vw, 200px" /></a></p>
<p>The inventor and most prolific practitioner of vocalese was Eddie Jefferson, whose rendition of Coleman Hawkins&#8217;s &#8220;Body and Soul&#8221; became a hit on its own. Pioneers of vocalese include King Pleasure and Babs Gonzales, Jefferson&#8217;s former dance partner.</p>
<p>The best-known practitioners are probably <strong>Lambert, Hendricks and Ross</strong>, which was made up of Jon Hendricks, Dave Lambert and Annie Ross. Ross&#8217;s <strong>1952 </strong>lyrics for the song &#8220;Twisted&#8221;, a blues improvisation by saxophonist Wardell Gray, are considered a classic of the genre. Other performers known for vocalese include Bob Dorough, Giacomo Gates, Kurt Elling, <strong>Al Jarreau</strong>, Mark Murphy, Roger Miller and <strong>The Manhattan Transfer</strong>, with their Grammy-winning version of Weather Report&#8217;s &#8220;Birdland&#8221; set to lyrics by Jon Hendricks.<a href="https://jazzatelier.files.wordpress.com/2010/12/double-six.jpg"><img data-attachment-id="3913" data-permalink="https://jazzatelier.com/2010/10/01/vocalese-jazz/double-six/" data-orig-file="https://jazzatelier.files.wordpress.com/2010/12/double-six.jpg" data-orig-size="694,706" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="Double Six" data-image-description="" data-medium-file="https://jazzatelier.files.wordpress.com/2010/12/double-six.jpg?w=295" data-large-file="https://jazzatelier.files.wordpress.com/2010/12/double-six.jpg?w=694" class="alignright size-medium wp-image-3913" title="Double Six" src="https://jazzatelier.files.wordpress.com/2010/12/double-six.jpg?w=300&#038;h=300" alt=""   /></a></p>
<p>Some performers, notably Slim Gaillard, Harry Gibson, Cab Calloway, and Leo Watson, combine <strong>vocalese </strong>improvisations with <strong>scat</strong> singing.</p>
<p>Most vocalese lyrics are entirely syllabic, as opposed to melismatic. This may lead to the use of many words sung quickly in a given phrase, especially in the case of bebop.</p>
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