<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[:&gt;)azZClefs#]]></provider_name><provider_url><![CDATA[http://jazzatelier.com]]></provider_url><author_name><![CDATA[Heervee]]></author_name><author_url><![CDATA[https://jazzatelier.com/author/rvel/]]></author_url><title><![CDATA[St. Thomas (Sonny Rollins)]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>De nouvelles <a href="http://www.box.net/files/0/f/21592650#/files/0/f/21592650/Partitions_Music_sheets" target="_blank">partitions</a> et les solo en (<a href="http://www.box.net/shared/jci2cmfg0d" target="_blank">Ut</a>) et (<a href="http://www.box.net/shared/aie5qp20sb" target="_blank">Eb</a>) de Saint Thomas sont dans la boite.</p>
<p>Il y a également quelques vidéos Youtube sur le site, postées précedemment, faire une recherche.</p>
<blockquote><p>&#8230;In 1956, Sonny began recording the first of a series of landmark recordings issued under his own name: <em>Valse Hot </em>introduced the practice, now common, of playing bop in 3/4 meter; <strong><em>St. Thomas </em></strong>initiated his explorations of calypso patterns; and <em>Blue 7</em> was hailed by Gunther Schuller as demonstrating a new manner of &#8220;thematic improvisation,&#8221; in which the soloist develops motifs extracted from his theme&#8230;.</p></blockquote>
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