<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Jumped The Snark]]></provider_name><provider_url><![CDATA[http://jumpedthesnark.com]]></provider_url><author_name><![CDATA[skeim01]]></author_name><author_url><![CDATA[https://jumpedthesnark.com/author/skeim01/]]></author_url><title><![CDATA[Meanwhile, Over On &#8216;Late Night&#8217;&#8230;]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>&#8230;Jimmy Fallon just keeps rolling along, delivering the best, most innovative comedy on the long side of midnight.  Adding to their already great pantheon of short videos, like &#8220;<a href="http://www.latenightwithjimmyfallon.com/video/categories/late/1202627/" target="_blank">Late</a>,&#8221; &#8220;<a href="http://jumpedthesnark.com/2010/04/09/last-night-on-late-night-was-the-intersection-of-the-venn-diagram-of-the-things-i-love-and-one-thing-i-hate/" target="_blank">6-bee</a>&#8221; and &#8220;<a href="http://www.latenightwithjimmyfallon.com/video/categories/7th-floor-west/1096281/" target="_blank">7th Floor West</a>,&#8221; <em>Late Night</em> recently debuted the series &#8220;Suckers,&#8221; which simultaneously parodies/pays homage to <em>Twilight</em>, <em>True Blood</em>, Broadway and probably two or three other works that we missed (<em>Vampire Diaries</em>, maybe? Help us out).</p>
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<p><a href="http://www.vanityfair.com/culture/features/2010/12/late-night-wars-excerpt-201012?currentPage=all" target="_blank">According to Bill Carter&#8217;s new book</a>, <em>The War for Late Night</em>, when NBCU Chairman Jeff Gaspin phoned the <em>Late Night</em> brain trust &#8211; Lorne Michaels, Fallon, producer Michael Shoemaker &#8211; to inform them of the possibility of moving their show back 30 minutes to 1am, they acceded, with Shoemaker telling Gaspin &#8220;We love what we’re doing. Don’t worry about us.”  And that idea, that they love what they&#8217;re doing, is so obvious, and is also contagious.  Already somewhat left to their own devices at 12:30am, a move to 1am probably wouldn&#8217;t impact them that much, as long as they got to keep producing the same slick videos and playing the same silly audience games.  Whereas we argued in an <a href="http://jumpedthesnark.com/2010/11/09/conan-on-tbs-somewhat-funny-very-obrien/" target="_blank">earlier post</a> that while Conan is changing the late night game by moving to basic cable, it&#8217;s Fallon who&#8217;s genuinely doing something different with his hour.  And for all the talk of the Team Coco and I&#8217;m with Coco web campaigns, it&#8217;s Fallon who has truly embraced new media (launching an online version of <em>Late Night </em>before debuting the broadcast show, hosting one of the <a href="http://www.latenightwithjimmyfallon.com/blogs/" target="_blank">best blogs</a> on the net, as a couple of examples).  As he&#8217;s gone on record saying, Fallon doesn&#8217;t really care when his show airs, because his audience will find him on their DVRs or online.  Of course, if the product isn&#8217;t good, no one will watch, even if the show is readily available through several media outlets.  Luckily for Jimmy Fallon and <em>Late Night</em>, their product is real good.</p>
<p>And for more on the subject, you&#8217;d be a fool not to read this much more illuminating <a href="http://nymag.com/arts/tv/profiles/69366/" target="_blank">profile of Jimmy Fallon</a> in <a href="http://nymag.com/nymag/toc/20101115/" target="_blank">this week&#8217;s <em>New York Magazine</em></a>.  He also graces the cover, adorably:</p>
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