<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[BEAUTIFUL, ALSO, ARE THE SOULS OF MY BLACK SISTERS]]></provider_name><provider_url><![CDATA[https://kathmanduk2.wordpress.com]]></provider_url><author_name><![CDATA[Ann]]></author_name><author_url><![CDATA[https://kathmanduk2.wordpress.com/author/kathmanduk2/]]></author_url><title><![CDATA[ON THIS DAY IN BLACK MUSIC HISTORY: FEBRUARY&nbsp;6]]></title><type><![CDATA[link]]></type><html><![CDATA[<p><strong>#1 R&amp;B Song 1954:   </strong>&#8220;I&#8217;ll Be True,&#8221; Faye Adams</p>
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<p><strong>Born:   </strong>Bob Marley, 1945; Natalie Cole, 1950</p>
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<p><strong>1954   </strong>The Drifters&#8217; &#8220;Such A Night&#8221; (#2 R&amp;B) and the Ravens&#8217; &#8220;September Song&#8221; were released.</p>
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<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='500' height='282' src='https://www.youtube.com/embed/1p8oA497dCA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span>
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<p><strong>1960   </strong>One day after performing in Little Rock, AK, with Jackie Wilson, Arthur Prysock, and Little Willie John, Jesse Belvin was killed in a car crash along with his wife and driver on the way to their next performance.</p>
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<p><strong>1961   </strong>Chubby Checker &amp; the Dreamlovers charted R&amp;B on their way to #1 and their second million-seller with &#8220;Pony Time.&#8221; The song was a revision of Clarence &#8220;Pinetop&#8221; Smith&#8217;s &#8220;Boogie Woogie&#8221; in 1928, and Checker&#8217;s version beat out a competing recording by Don Covay &amp; the Goodtimers that reached only #60 pop. The Dreamlover&#8217;s were never credited on the label and since Checker was considered a solo act (even though the prominant harmonies of the group were evident on all his hits), they are relegated to a footnote in history rather that full participants in the hit&#8217;s success.</p>
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<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='500' height='282' src='https://www.youtube.com/embed/C2BQpYCRl-Q?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span>
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<p><strong>1965   </strong>Little Anthony &amp; the Imperials&#8217; classic &#8220;Hurt So Bad&#8221; charted, en route to #10 pop.</p>
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<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='500' height='282' src='https://www.youtube.com/embed/Vcb4wFRvRqo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span>
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<p><strong>1971   </strong>Marvin Gaye&#8217;s critically claimed &#8220;What&#8217;s Goin&#8217;On&#8221; was released. It reached #2 pop and #1 R&amp;B.</p>
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<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='500' height='282' src='https://www.youtube.com/embed/jzPA-FrVu3I?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span>
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<p><strong>1971   </strong>The Jackson 5&#8217;s &#8220;Mama&#8217;s Pearl&#8221; charted, reaching #2 pop and R&amp;B. It was kept from the top spot by the Osmond&#8217;s &#8220;One Bad Apple,&#8221; which was offered to Motown for the Jacksons but was rejected as sounding too adolescent. <strong>(I remember when this song came out and immediately felt it to have a Jackson 5 sound to it. Many people thought that the Osmonds sang the song to make it sound as much like the Jackson 5, on purpose, thus, stealing their thunder with the &#8220;Mama Pearl&#8221; song. Since the Jacksons passed on singing the song, we will never know how it would have siunded in their hands.)</strong></p>
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<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='500' height='282' src='https://www.youtube.com/embed/1xL5WZoSz2o?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span>
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<p><strong>1988   </strong>Public Enemy, one of rap music&#8217;s most contentious acts, made their chart debut with &#8220;Bring The Noise.&#8221; The group, in keeping with their image, would soon perform at New York&#8217;s Rikers Island Prison. One of their managers referred to them as &#8220;the black panthers of rap.&#8221;</p>
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<span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='500' height='282' src='https://www.youtube.com/embed/Q1G3Iew-md4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span>
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<p><strong>1990   </strong>A national holiday was proclained in Jamaica to commemorate the birth of Bob Marley.</p>
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