<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[K.K.Atlas]]></provider_name><provider_url><![CDATA[https://kkatlas.wordpress.com]]></provider_url><author_name><![CDATA[K.K.Atlas]]></author_name><author_url><![CDATA[https://kkatlas.wordpress.com/author/kkatlas/]]></author_url><title><![CDATA[Music Review &#8211; Progenitor&nbsp;(Mechina)]]></title><type><![CDATA[link]]></type><html><![CDATA[<p><strong><img class=" alignleft" src="https://www.metal-archives.com/images/5/5/4/0/554067.jpg?4248" alt="Mechina - Progenitor" width="98" height="98" />Title: </strong>Progenitor (Mechina)<br />
<strong>Genre:</strong> Symphonic/industrial death metal<br />
<b>Running length: </b>50 min 20 sec<br />
<strong>Release: </strong>Jan 1, 2016</p>
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<p>Anyone who has a soft spot for <strong>Rammstein</strong>&#8216;s subversive, technocratic mantras or sways towards the synth harmonics of <strong>Fear Factory</strong> will feel a familiar pull with <strong>Mechina</strong>. Ths US quartet — plugged into the industrial niche and evidently besotted with sci-fi — has devoted its entire repository of works to technology, myths, and humanity&#8217;s struggle to accept certain doom. Much to my delight, it all happens on a cosmic stage, and I&#8217;d be lying if I said my obsession with space didn&#8217;t lead me to seek out &#8216;intergalactic metal operas&#8217; in the first place. <strong>Mechina</strong>&#8216;s signature sound is a combination of serrated growls, clean lamentations and minor symphonies, but as its sixth full-length album, <strong>Progenitor </strong>flies through charted nebulas.</p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/2qfteDJxdvE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
<p><strong>Mass Locked </strong>is a great opener for any futuristic music-video; intermittent bleeps, the resonant clash of gadgets, and increasingly shrill acoustics really drive the futuristic message home. It&#8217;s more of an appetiser than a track itself, and yet, the tremulous breaths of a sleeping beauty rising after 110 years of cryogenic slumber is exactly the sort of soft prelude that&#8217;s needed before <strong>Ashes of Old Earth </strong>— which begins with a forlorn violin that&#8217;s swallowed by a vivid orchestra of cacophonous drums, coarse cries, and poignant clean vocals. <strong>Mechina </strong>opts for the tried and tested duo of simple verses and heavy chorus repetition, so seasoned listeners won&#8217;t find anything groundbreaking here. However, if you&#8217;re pop-aversive its lyricism isn&#8217;t as formulaic as <strong>Arch Enemy</strong>&#8216;s in <strong>Will to</strong> <strong>Power</strong>.</p>
<p><strong>Starscape </strong>tries to unlock a weak strain of Slavic folk which <em>does </em>occasionally tempt listeners with organic refreshment, although it succumbs to <strong>Progenitor</strong>&#8216;s standard technotheism far too quickly. To be fair, I wasn&#8217;t expecting a total apostate track here — <strong>Starscape</strong> just doesn&#8217;t carry enough unique musical identity and emerges a flat followup to <strong>Ashes of Old Earth</strong>. The intriguingly named <strong>Cryoshock </strong>fares slightly better. Scrubbing itself clean from the dirty growling, our Aurora (<a href="https://www.metal-archives.com/albums/Mechina/Progenitor/554067">Andara</a> in this case) begins a rather peculiar requiem; paralysed bones, fragmented cells and crystallised skin replace blood — and by extension, humanity. It&#8217;s so clinical it&#8217;s almost beautiful. It creates a perfect launchpad for <strong>The Horizon</strong> <strong>Effect</strong>, a piece that injects some much needed diversity into the melodic range while sticking to <strong>Progenitor</strong>&#8216;s central themes. The tempo freezes, drums slow down, moody, echoing keyboards have greater prominence, and the vocal reverberation is tastefully done.</p>
<p>Still, I was waiting for a number that would blow me away. And despite being a valiant effort, <strong>Anagenesis </strong>misses the bullseye. The writing steps up a notch and shrieks make a welcome return, but their vanilla, scream-free counterparts seem to borrow <strong>Ashes of Old Earth</strong>&#8216;s auditory shtick (it&#8217;s not auto-tune, the YouTube comments assure me) in a way that&#8217;s so noticeable it flays originality. Nevertheless, anyone fond of classical music should prepare to be seduced by kickass violin ambience throughout.</p>
<p><strong>Planetfall </strong>plunges straight into brutal death/deathcore and is absoultely infested with smatterings of furious drumming and epic background chants. Don&#8217;t exit the shuttle expecting a tuneful touchdown; this is the least melodious track on the album, save for the temporary final assault of a classic guitar solo. As a battle cry, <strong>Planetfall </strong>isn&#8217;t engrossing or memorable yet it handles the man versus machine war decently enough in the lyrics department. I was sincerely baffled <strong>Mechina </strong>chose to wait until <strong>Progenitor</strong>&#8216;s eponymous closing track to summon the Slavic magic. In a sea of comparatively blander compositions, saving the best for last is too little too late. <strong>Progenitor </strong>doesn&#8217;t hold back. Divine voice breaks and deep strings are in full force; foreign incantations invoke the gods of folk metal, sludgy death vocals finally couple with distinct musicality, and reiterated lyrics become a non-issue as even the purer vocals align with <strong>Progenitor</strong>&#8216;s sublime sound. At last, <strong>Mechina</strong> delivers cosmic justice.</p>
<p><strong>Verdict: </strong>Silver. <strong>Mechina </strong>has an obvious flair for sci-fi inspired metal but <strong>Progenitor</strong> takes too few risks and delays impressing listeners with interstellar magic until closing time.</p>
<pre><strong>Social media:</strong> <a href="https://twitter.com/mechinamusic">Twitter</a>, <a href="https://www.facebook.com/mechinamusic/">Facebook</a>, <a href="https://www.mechinamusic.com/">Website</a>, <a href="https://mechinamusic.bandcamp.com/">Bandcamp</a></pre>
<h3>MELODY: ★★★☆☆</h3>
<h3>LYRICS: ★★★☆☆</h3>
<h3>ORIGINALITY: ★★<img class="" src="https://kkatlas.files.wordpress.com/2018/02/hsta.png?w=15&#038;h=14" alt="hsta" width="15" height="14" />☆☆</h3>
<h3>REPLAY VALUE: ★★<img class="" src="https://kkatlas.files.wordpress.com/2018/02/hsta.png?w=15&#038;h=14" alt="hsta" width="15" height="14" />☆☆</h3>
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<h1>OVERALL: ★★<img loading="lazy" data-attachment-id="5897" data-permalink="https://kkatlas.wordpress.com/2018/02/02/music-review-echoes-of-battle-caladan-brood/hsta/" data-orig-file="https://kkatlas.files.wordpress.com/2018/02/hsta.png" data-orig-size="16,15" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="hsta" data-image-description="" data-medium-file="https://kkatlas.files.wordpress.com/2018/02/hsta.png?w=16" data-large-file="https://kkatlas.files.wordpress.com/2018/02/hsta.png?w=16" class="alignnone wp-image-5897" src="https://kkatlas.files.wordpress.com/2018/02/hsta.png?w=48&#038;h=45" alt="hsta" width="48" height="45" data-attachment-id="5897" data-permalink="https://kkatlas.wordpress.com/2018/02/02/music-review-echoes-of-battle-caladan-brood/hsta/" data-orig-file="https://kkatlas.files.wordpress.com/2018/02/hsta.png?w=48&amp;h=45" data-orig-size="16,15" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="hsta" data-image-description="" data-medium-file="https://kkatlas.files.wordpress.com/2018/02/hsta.png?w=48&amp;h=45?w=16" data-large-file="https://kkatlas.files.wordpress.com/2018/02/hsta.png?w=48&amp;h=45?w=16" />☆☆</h1>
<h1>58/100</h1>
<pre><strong>Rating system</strong>

<strong>Wood:</strong> 0-5, <strong>Bonze:</strong> 6-9, <strong>Silver:</strong> 10-14, <strong>Gold:</strong> 15-19, <strong>Platinum:</strong> 20-24, <strong>Diamond:</strong> 25</pre>
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