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<p><strong>#1. &#8216;Surrender&#8217; &#8211; Cheap Trick, <em>Heaven Tonight</em> (1978)</strong> &#8211; Of course shuffle starts me off with a recognizable hit that fits into the &#8220;classic rock&#8221; pool, a term I really don&#8217;t care for, but yes&#8230; &#8216;Surrender&#8217;, you want to rock out to it when it blares out your speaker. Cheap Trick knew how to mix rock, pop, and energy into songs like these. They just ooze a certain kind of cool.</p>
<p><strong>#2. &#8216;Whipping Post&#8217; &#8211; The Allman Brothers Band, <em>The Allman Brothers Band</em> (1969)</strong> &#8211; Early Allman Brothers, jamming, hard-driving blues-rock with an edge. This may not be a monolithic live version, but it&#8217;s quite raw and to the point. You can&#8217;t beat it.</p>
<p><strong>#3. &#8216;Batman&#8217; &#8211; The Who, <em>Ready Steady Who</em> EP (1966)</strong> &#8211; The great, thumping, badass bass-driven cover of the 1960s <em>Batman</em> television series theme you never knew you needed. You&#8217;re welcome.</p>
<p><strong>#4. &#8216;Thank You Girl&#8217; &#8211; The Beatles, 1963 single</strong> &#8211; As a huge Beatles fan, I am a bit biased&#8230; Even a not-so-great song from the band, I can&#8217;t call bad. For other folks, it&#8217;s easy to name a bad Beatles song. They&#8217;ll often point to things like &#8216;Ob-La-Di, Ob-La-Da&#8217;, &#8216;Run for Your Life&#8217; (that song&#8217;s lyrics are pretty bad, I will say that), &#8216;Wait&#8217;, &#8216;A Taste of Honey&#8217;, &#8216;Mr. Moonlight&#8217;, the like&#8230; For me, the worst Beatles song is simply a &#8220;doesn&#8217;t do much for me&#8221; kind of song, not an ear-grating one. &#8216;Thank You Girl&#8217;, the B-side of the peppy &#8216;From Me to You&#8217; single from April 1963, was pretty much a treat for the female fans. It&#8217;s catchy enough, but it doesn&#8217;t hit you the way something like the quasi-blues of &#8216;From Me to You&#8217; does, or the sheer energy of &#8216;I Want To Hold Your Hand&#8217;, or even its stately B-side &#8216;This Boy&#8217;. Releasing it made sense, though the fan in me would&#8217;ve liked it if the 1963 version of &#8216;One After 909&#8217; was the B-side!</p>
<p><strong>#5. &#8216;We&#8217;ve Got It Goin&#8217; On&#8217; &#8211; Backstreet Boys, <em>Backstreet Boys</em> (1996)</strong> &#8211; Uh oh, nostalgia time! I admit that I have this typical 90s thing on my iPod because I was a kid when this came out, and I loved it then, I enjoy it now. No, it&#8217;s not a good song by any means, it&#8217;s dated as all hell, but it is upbeat and fun&#8230; So this is one of those&#8230; Guilty pleasures. Nothing more, nothing less. Nothing to say here, really.</p>
<p><strong>#6. &#8216;That&#8217;s the Way of the World&#8217; &#8211; Earth, Wind &amp; Fire, <em>That&#8217;s the Way of the World</em> (1975)</strong> &#8211; Yes, some know Earth, Wind &amp; Fire for their more uptempo hits (&#8216;Shining Star&#8217;, &#8216;Sing a Song&#8217;, &#8216;Boogie Wonderland&#8217;), but their slower side is just as great &#8211; this song being a perfect example. Everything from the vocals to the arrangement, just pure beauty.</p>
<p><strong>#7. &#8216;Miss You&#8217; &#8211; The Rolling Stones, <em>Some Girls</em> (1978)</strong> &#8211; Ahhh, our dear old bad boys of rock in the early-to-mid 1960s! The Rolling Stones were thought to have fallen off after the release of the 1972 landmark <em>Exile on Main St.</em> (in my humble opinion, that is not their best album. <em>Let It Bleed</em> gets my vote.), but there are merits to be found in their overlooked mid-70s catalogue. <em>Some Girls</em>, released at the height of punk and disco, was seen as the &#8220;comeback&#8221;. It&#8217;s true that <em>Some Girls</em> boasted several strong songs and was overall a great spinner, and this track &#8211; the band&#8217;s foray into disco &#8211; is pretty darn successful. It has that Stones grit and style, while being fun to dance to, and not really sounding all that dated. I actually think it holds up better than some of the disco hits of that particular era.</p>
<p><strong>#8. &#8216;Imagination Land&#8217; &#8211; Michael Giacchino, <em>Inside Out</em> soundtrack (2015)</strong> &#8211; You can&#8217;t go wrong with a Pixar score, and Giacchino once again delivered the goods with <em>Inside Out</em>. Giacchino really sunk us into an atmospheric, almost psychedelic collection that perfectly aligns with the cerebral setting and themes. &#8216;Imagination Land&#8217;, bouncy and off-kilter compared to the rest of the ethereal tracks, fits the sequence it&#8217;s set in. A land of weird shapes and all kinds of colors and objects, it&#8217;s what you would hear in the imagination of someone who is in their preteen years, who was still holding onto the innocence they had as a kid.</p>
<p><strong>#9. &#8216;Something&#8217; &#8211; The Beatles, <em>Abbey Road</em> (1969)</strong> &#8211; Here we go, a top-notch Beatles song! What can be said that has not been said before about <em>Abbey Road</em> and one of George Harrison&#8217;s greatest songs? It feels like the true bridge between his previous work, and the angelic epics of his triple solo album <em>All Things Must Pass</em>. Love and godliness make for a song that may seem simplistic on the surface, but at its core is something truly special. You couple that with a layered, absolutely perfect arrangement and you get perfection.</p>
<p><strong>#10. &#8216;Let&#8217;s Go Away for Awhile&#8217; &#8211; The Beach Boys, <em>Pet Sounds</em> (1966)</strong> &#8211; Would you look at that, a <em>Pet Sounds</em> track! I feel that <em>Pet Sounds</em>&#8216; instrumentals don&#8217;t really get enough credit, for they are lush, complex, beautifully-constructed pieces. &#8216;Let&#8217;s Go Away for Awhile&#8217;, with its classical structure, is no exception. On a side note, I saw Brian Wilson and his band (including original Beach Boy Al Jardine, and early-70s Beach Boy Blondie Chaplin!) play the entire <em>Pet Sounds</em> album live, along with many Beach Boys songs&#8230; Not only was it heavenly, but he and the crew did all of these songs justice. It was a truly excellent experience.</p>
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