<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[otterlakeart]]></provider_name><provider_url><![CDATA[https://otterlakeartintheclassroom.wordpress.com]]></provider_url><author_name><![CDATA[oleartvolunteer]]></author_name><author_url><![CDATA[https://otterlakeartintheclassroom.wordpress.com/author/oleartvolunteer/]]></author_url><title><![CDATA[Let&#8217;s Help Kids Imagine Life as&nbsp;Artists]]></title><type><![CDATA[link]]></type><html><![CDATA[<div style="width: 222px" class="wp-caption alignright"><img class=" " id="irc_mi" alt="" src="https://i0.wp.com/www.stopthearmsfair.org.uk/wp-content/uploads/Disarm-Pic-15-212x212.jpg" width="212" height="212" /><p class="wp-caption-text">There are many more careers in art than that of the stereotypical &#8220;starving artist&#8221;.</p></div>
<p>As a kid, I loved to draw. I&#8217;d sit at my desk with my Crayola Caddy and dream up things to bring to life on paper. So why, when it was time to go to college, did I never consider art as a career path?</p>
<p>Well, for one, the only picture of an &#8220;artist&#8221; I had in my mind was that of a starving one, competing with other artists for a museum to feature her paintings and decked out in a paint-splattered shirt and a beret. It didn&#8217;t seem to be a viable lifestyle.</p>
<p>These days, I&#8217;m a graphic designer and the owner of my own branding firm. I finally came back to art after a college education in Psychology and post-graduate work in Neuroscience (of all things)!</p>
<p>As art educators, I feel that part of our responsibility in teaching our Art in the Classroom lessons is to help children envision life as an artist, so when the time comes to make a choice about their post-secondary education, they&#8217;ll make informed decisions. One way is to look at the career path of actual artists.</p>
<p>For example, when researching Alexander Calder for our mobile project, I discovered that he had originally been pulled toward engineering, foreshadowing his later mechanically-based works. He had also worked as an illustrator, and later as a performer of intricate circus-themed puppet shows that he created. He worked as a set constructor and painter, too. It wasn&#8217;t until much later in his life that he became the sort of &#8220;gallery artist&#8221; that made him famous. He&#8217;d made a life in several roles, in other words. And few of them involved a paint-spattered shirt and a beret. Or starving, for that matter.</p>
<p>Or consider famed author and illustrator, Eric Carle, of <em>The Very Hungry Caterpillar</em>. He began his professional career designing advertisements for the <em>New York Times. </em>It wasn&#8217;t until a client asked him to illustrate an ad that he discovered his now-famous technique of tissue paper art, which later lead him to fame. (We base our &#8220;Tissue Paper Fish&#8221; lesson on his artistic style.)</p>
<p>In interviewing artists for our Minnesota theme projects, I discovered that many worked full-time jobs in other fields before semi-retiring and pursuing painting as a profession.</p>
<p><a href="http://www.startribune.com/business/189265401.html">And in today&#8217;s paper</a>, I learned that the city of Saint Paul has an artist-in-residence that serves to &#8220;advise city planners on how to integrate art into public works projects while artists are commissioned to &#8216;shape the form and experience of parks and open spaces, from the overall landscape to important structures, sculptures and amenities.'&#8221;</p>
<p>Finally, in my previous career as a museum exhibit developer, I worked with artists who built interactive exhibits, designed large-scale, 3-dimensional signs, created graphics for video games and websites, took photographs, and created lively sketches to help us envision how exhibits would look. None of them wore French caps.</p>
<p>Not only are there all kinds of careers out there for young artists, but there opportunities for different <em>kinds</em> of artists—ones that are mechanically inclined, technical, digital, classical, administrative and more. Let&#8217;s do our best to help kids see these qualities in themselves through the stories we tell of both the art and artists we teach.</p>
<p><em>Author Katrina Hase owns St. Paul-based Mix Creative, and is a former Art in the Classroom educator and coordinator.<br />
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