<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[painting one_MSCD]]></provider_name><provider_url><![CDATA[https://paintingone.wordpress.com]]></provider_url><author_name><![CDATA[phillip faulkner]]></author_name><author_url><![CDATA[https://paintingone.wordpress.com/author/phillipfaulkner/]]></author_url><title><![CDATA[MATERIALS]]></title><type><![CDATA[link]]></type><html><![CDATA[<p><a href="https://paintingone.files.wordpress.com/2011/05/materials.pdf">materials</a>.pdf</p>
<p><strong><span style="text-decoration:underline;">Acrylic Paints_</span></strong>(I will demo with golden brand artist paints)</p>
<p><em>-Required</em></p>
<p><strong>Titanium White_opaque_high</strong> tint strength</p>
<p><strong>Quinacridone</strong><strong> Magenta</strong></p>
<p><strong>Hansa</strong><strong> Yellow Medium</strong></p>
<p><strong>Phthalo</strong><strong> Blue (Green Shade)</strong></p>
<p><strong>Mars Black_medium</strong> tint strength</p>
<p>&#8211;<em>Recommended for exploration</em></p>
<p>Zinc white_transparent_low tint strength</p>
<p>Bone black_low tint strength</p>
<p>Carbon Black_high tint strength</p>
<p>Naphthol Red Light</p>
<p>Pthalo Green (Blue Shade)</p>
<p>Yellow Ochre</p>
<p>&#8212;&#8211;</p>
<p><strong>Acrylic GESSO</strong> _ 1 <em>pint</em> minimum.</p>
<p><strong><span style="text-decoration:underline;">Painting Mediums</span></strong></p>
<p><strong>Matte Medium</strong></p>
<p>&#8212;&#8211;</p>
<p>Gel Medium</p>
<p>Gloss Medium</p>
<p>Acrylic Glazing medium</p>
<p>GAC-100</p>
<p>Acrylic Retarder</p>
<p>Modeling Paste</p>
<p>Pumice Gel</p>
<p>Etc…</p>
<p><strong>brushes</strong><strong>/ palette supplies</strong></p>
<p>Everyone has a personal preference on brushes. These are a good representation of staple brush selections, choose according to personal taste, but try to avoid bargain basement brushes. Experiment with both natural hair, and synthetic brushes to determine disposition</p>
<p>Natural bristle = more coarse, achieve textures, moves paint more easily</p>
<p>Synthetic = more uniform precise tips and edges, smoother mark</p>
<p>#36 or #10 round</p>
<p>#12 or #14 flat  ~ 1”</p>
<p>#6 or #8 bright  ~ ½”</p>
<p>*I might suggest supplementing your three ‘quality’ brushes with a ‘middle ground’ sampler pack. It is a good idea to have an array of brush sizes and styles, to employ as needed.</p>
<p>__________</p>
<p>3”+  cheap gesso brush (hardware store has the cheapest)</p>
<p><strong>palette</strong><strong> mixing knife</strong></p>
<p><strong>Disposable palette.</strong></p>
<p><strong>or</strong></p>
<p><strong>Clear glass, with taped edges (or plexi-glass)</strong></p>
<p><strong>Miscellaneous</strong>. (purchase as needed)</p>
<p><strong>9X12 canvas paper pad / (</strong><strong>or some heavy duty paper to paint on)</strong></p>
<p>cotton duct canvas (54” wide X 2 yards)</p>
<p>miscellaneous substrates (wood, paper, phtographs, found objects)</p>
<p>papers</p>
<p>Wood panels or stretcher bars</p>
<p>1 pint or more of white gesso</p>
<p>1 box of T50 5/16” staples</p>
<p>1 roll of paper towels</p>
<p>masking tape</p>
<p>brush soap</p>
<p>sketchbook</p>
<p>drawing materials</p>
<p>color wheel (we will construct our own)</p>
<p>art bin</p>
<p>rags</p>
<p>glass jars, paint cans, plastic containers (all with lids)</p>
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