<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[Shining Tribe]]></provider_name><provider_url><![CDATA[https://rachelpollack.wordpress.com]]></provider_url><author_name><![CDATA[Rachel]]></author_name><author_url><![CDATA[https://rachelpollack.wordpress.com/author/rachelpollack/]]></author_url><title><![CDATA[THE HISTORY OF LIGHT&#8211;A&nbsp;POEM]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>Here&#8217;s something a bit unusual, a poem I wrote some time ago.  I just realized, I could have given it the title of that famous poem many of us studied in college &#8220;Elegy Written In A Country Graveyard,&#8221; since that&#8217;s exactly where the idea came to me, sitting in the car with Wonder, waiting for a friend to come so we could walk together.</p>
<p>THE HISTORY OF LIGHT</p>
<p>Rachel Pollack</p>
<p>The first thing you see is the house,<br />
square, with a low pitch roof,<br />
white, with tan shutters and a black door.</p>
<p>Matter is light slowed down</p>
<p>And then, just in front,<br />
the trees that frame the doorway,<br />
skinny, November bare, young,<br />
just old enough for the branches<br />
to trace a third story<br />
above the two of the house.<br />
Before that, just a step closer,<br />
the patches of lawn,<br />
rusty green before the ice starts,<br />
a whisper of color to soften the dark earth.</p>
<p>Let there be light</p>
<p>On your right the grass ends sharply,<br />
the stone fence of the cemetery<br />
like the hand of a traffic cop.<br />
On the left the lawn gives way<br />
to gravel, the spillover from the church parking lot.<br />
You see all these things first,<br />
before the scattered gravestones<br />
that stand between your car and the rectory.<br />
The stones are the old-fashioned kind,<br />
thin gray slabs that tilt backward,<br />
as if offended by their lofty children<br />
on the other side of the fence.</p>
<p>If we dug them up,<br />
would we find white bone,<br />
the brown and pink of muscles and organs<br />
long decayed, indigestible whiteness<br />
all that’s left?<br />
White is all color blurred together,<br />
reflected back, as if our bones<br />
reject the generosity of light.</p>
<p>Matter is light slowed down</p>
<p>We see first what is furthest away,<br />
what blocks our vision yearning to escape<br />
the limits of bodies and stone,<br />
and return to light.<br />
Matter is light slowed down,<br />
and all we ever want<br />
is to speed ourselves up again.</p>
<p>Let there be light, God says,<br />
as if God pleads for permission,<br />
like a mother who brings her son<br />
to a noisy playground<br />
and silently asks the tumble of kids<br />
to make room for a shy child.</p>
<p>The darkness never needs allowance.<br />
In the beginning, God created<br />
the heaven and the earth,<br />
and darkness lay upon the face of the deep.<br />
If darkness was the face,<br />
what dead white bones<br />
were hiding underneath?</p>
<p>Let there be light</p>
<p>Matter is light slowed down.<br />
If you could speed up your body,<br />
find a really good spaceship,<br />
break free of gravity and keep on going,<br />
if you could make a run at catching light—<br />
time would slow down,<br />
and you would get shorter and shorter,<br />
and yet your mass, your presence,<br />
would grow and grow, until—<br />
if you could make the jump,<br />
if you returned to light,<br />
you would find yourself<br />
everywhere and nowhere, all at once,<br />
outside of time.</p>
<p>All light is a single flash,<br />
the same photon everywhere and forever,<br />
given permission to exist, that one time,<br />
those four words.<br />
God is speaking them,<br />
right now, to you, to me,<br />
to the damp bones buried<br />
in the cold November dirt.</p>
<p>Matter is light slowed down.</p>
<p>If only we could move fast enough<br />
To finally listen, to know<br />
We are free.</p>
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