<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[shape+colour]]></provider_name><provider_url><![CDATA[https://shapeandcolour.wordpress.com]]></provider_url><author_name><![CDATA[Jeremy]]></author_name><author_url><![CDATA[https://shapeandcolour.wordpress.com/author/shapeandcolour/]]></author_url><title><![CDATA[new museum&#8217;s hell, yes&#8230; hell,&nbsp;no!?]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>A while ago I did <a href="https://shapeandcolour.wordpress.com/2008/01/03/ugo-rondinone-nmca-hell-yes/"><font color="#33cccc">a post</font></a> about Ugo Rondinone&#8217;s love-it-or-hate-it &#8220;Hell, Yes!&#8221; on the façade of the New Museum of Contemporary Art on New York&#8217;s Bowery. And, in the spirit of democracy and artistic expression, one critic has succinctly let us know precisely how they feel&#8230;</p>
<p><img src="https://shapeandcolour.files.wordpress.com/2008/03/2008_3_hellno-thumb.jpg" alt="2008_3_hellno-thumb.jpg" /></p>
<p>Via <a href="http://www.woostercollective.com"><font color="#800080">Wooster Collective</font></a></p>
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