<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[shape+colour]]></provider_name><provider_url><![CDATA[https://shapeandcolour.wordpress.com]]></provider_url><author_name><![CDATA[Jeremy]]></author_name><author_url><![CDATA[https://shapeandcolour.wordpress.com/author/shapeandcolour/]]></author_url><title><![CDATA[denis darzacq: behind the&nbsp;scenes.]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>A few weeks ago I <a href="https://shapeandcolour.wordpress.com/2008/06/23/denis-darzacq-hyper/"><span style="color:#ff6600;">wrote a post</span></a> about a new series, &#8220;Hyper&#8221;, from one of my favourite photographers, Denis Darzacq. Buzz around him always includes people saying that his work must be digitally-altered, because his shots of people seemingly suspended just feet off the ground look too amazing to be real.</p>
<p>Today on another favourite of mine, <a href="http://www.kitsunenoir.com"><span style="color:#800080;">Kitsune Noir</span></a>, I discovered this doc on Darzacq that totally shows his process and interviews his subjects. Proof to all nay-sayers that his work isn&#8217;t a work of digital manipulation, but just a feat of skill, imagination, and superb photography. Fascinating.</p>
<span class="embed-youtube" style="text-align:center; display: block;"><iframe class="youtube-player" width="640" height="360" src="https://www.youtube.com/embed/5HonzF8LbLE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent" allowfullscreen="true" style="border:0;" sandbox="allow-scripts allow-same-origin allow-popups allow-presentation"></iframe></span>
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