<![CDATA[new work from levi van veluw.]]>I’ve gushed about my love for the work of Dutch conceptual artist Levi van Veluw before. He’s one of my favourites; he thinks outside the box and is fearless in his examination of the human face as a sculptural canvas.

His new work expands his exploration of the mingling of the physical and non-physical on the most extremely personal of mediums: van Veluw’s own face. With “Natural Transfers” he shifts from covering how own face with materials pulled from the Earth (straw, stone) to a material from the human body: hair. Fluid and serpentine, the hair, though growing from the crown of the head, becomes a mask, almost an invasion. Hair that wishes it could become skin.

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With “Light” he moves the image into an entirely new entity all together. Trading tangible, physical entities for the geometric possibilities of light-emitting foil, photographed in blackness, as it glows and takes form across the invisible blackness of his now unseen face. As van Veluw explains on his site: “Light becomes form and it stands free from any ‘original’ subject. It is this ‘invisibility’ of the production processes that creates the freedom in this image.”

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In addition to the new photgraphs, Van Veluw will also be showing a new sculpture, “Monere”, at Art Rotterdam from February 5 to 8.

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