<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[shape+colour]]></provider_name><provider_url><![CDATA[https://shapeandcolour.wordpress.com]]></provider_url><author_name><![CDATA[Jeremy]]></author_name><author_url><![CDATA[https://shapeandcolour.wordpress.com/author/shapeandcolour/]]></author_url><title><![CDATA[balmorhea: all is wild, all is&nbsp;silent.]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>I discovered Austin-based acoustic classical/experimental quintet <a href="http://www.myspace.com/balmorhea"><span style="color:#33cccc;">Balmorhea</span></a> from a post at <a href="http://www.joshspear.com"><span style="color:#ffcc00;">Josh Spear</span></a> and have been listening to their latest album,  <a href="http://www.amazon.ca/All-Wild-Silent-Balmorhea/dp/B001QUF77Y"><span style="color:#800080;">&#8220;All Is Wild, All Is Silent&#8221;</span></a>, non-stop for the last week. They manage to make even my morning streetcar ride to work somehow feel emotionally windswept and epic.</p>
<p>I have a fetish for string instruments. For me, there&#8217;s something hypnotic and almost transformative about watching someone play the cello. Mixing all manners of strings &#8211; violin, cello, guitar, banjo, double bass &#8211; with piano and more, they create a universe of sound. It feels heavy yet it breathes, it&#8217;s enveloping yet it soars. It all heaves with a feeling of abandon and stillness, like the end of a very long journey.</p>
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