<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[soundthings]]></provider_name><provider_url><![CDATA[https://soundthings.wordpress.com]]></provider_url><author_name><![CDATA[stan smith]]></author_name><author_url><![CDATA[https://soundthings.wordpress.com/author/linuscrusius/]]></author_url><title><![CDATA[Tom Misch: NPR Music Tiny Desk&nbsp;Concert]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>&nbsp;</p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class='youtube-player' width='640' height='360' src='https://www.youtube.com/embed/IUMTaAQ43lY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'></iframe></span></p>
<p>| Bobby Carter &#8212; I learned a few things while watching Tom Misch perform at the Tiny Desk that should&#8217;ve been obvious to a longtime fan like me: He produces beats with a live audience in mind. As much as his drums slap, guitar is the foundation for most of his songs and he showcases a burgeoning talent on the instrument throughout his set. I first caught wind of this UK wunderkind in 2014. Crafting his own instrumental projects and remixing tracks by artists ranging from Busta Rhymes to Lianne La Havas, Misch steadily garnered a dedicated following on SoundCloud. From there, he collaborated with other London artists and released EPs of original music on the platform. Misch&#8217;s style doesn&#8217;t revel in what&#8217;s going on in pop music today; like a handful of other artists from the UK, his interpretation of hip-hop and R&amp;B is a continuation of what the greats who came before him started. A healthy dose of that inspiration is drawn from the late J. Dilla, while Misch&#8217;s up-tempo dance numbers align him with the Kaytranadas of the world. In 2016, Misch — still just 21 years old at the time — decided to dabble more in songwriting and explore that soothing timbre of his voice on Reverie, and all of a sudden, his potential rose exponentially. Misch and the band arrived bright and early to get situated behind the Tiny Desk and rehearse. Misch has said before that he isn&#8217;t a jazz purist intrinsically, but the way he opens up a guitar solo or jams with saxophonist Braxton Cook, jazz music certainly runs through him. If you haven&#8217;t heard of Tom Misch before this performance, now&#8217;s a good time to catch up. Check out his breakthrough album, Geography, as well as his earlier collaborations, then come back and watch his Tiny Desk again for a true appreciation of his growth as an artist. SET LIST &#8220;It Runs Through Me&#8221; &#8220;I Wish&#8221; &#8220;Movie&#8221; MUSICIANS Tom Misch (guitar/vocals), Tobias Tripp (guitar/violin/vocals), James Creswick (bass), Jamie Houghton (drums), Joseph Price (keys), Braxton Cook (saxophone) CREDITS Producers: Sidney Madden, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, CJ Riculan, Beck Harlan; Production Assistant: Stefanie Fernández; Photo: Claire Harbage/NPR.</p>
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