<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[the feminist librarian]]></provider_name><provider_url><![CDATA[http://thefeministlibrarian.com]]></provider_url><author_name><![CDATA[Anna Clutterbuck-Cook]]></author_name><author_url><![CDATA[https://thefeministlibrarian.com/author/feministlib/]]></author_url><title><![CDATA[multimedia monday: 9]]></title><type><![CDATA[link]]></type><html><![CDATA[<p>As the semester gets underway, I&#8217;ve been trying to find ways to organize the links I&#8217;d like to share here on the blog and also write smaller posts so the blog stays fresh but I don&#8217;t begin to feel burdened by commentary. So in addition to the Sunday Smut list, I&#8217;m adding a &#8220;multimedia monday&#8221; weekly feature that&#8217;s going to highlight one of the online audio or video links I&#8217;ve listened to or watched during the previous week.</p>
<p>To start us off, then, here&#8217;s the trailer for the film <em><a href="http://www.imdb.com/title/tt0472033/">9</a></em>, which was released last fall and which Hanna and I finally had a chance to watch this past Friday.</p>
<p><span class="embed-youtube" style="text-align:center; display: block;"><iframe class="youtube-player" width="640" height="360" src="https://www.youtube.com/embed/zlrtIrlgFpY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent" allowfullscreen="true" style="border:0;" sandbox="allow-scripts allow-same-origin allow-popups allow-presentation"></iframe></span><br />I really don&#8217;t understand how this film got so little press when it came out, since (along with <em><a href="http://annajcook.blogspot.com/2009/02/moviesnotes-coraline.html">Coraline</a></em>) it&#8217;s easily the most magical bit of animation I&#8217;ve seen since <em>Wall-E</em>. Darker, perhaps. It certainly doesn&#8217;t end on a cheerful note.  But visually, it&#8217;s a glorious piece of imagined reality: from the moment the story opens, you&#8217;re sucked into the world of these small created beings who are all of the (humanity? well, we aren&#8217;t quite sure) that is left on a post-apocalyptic world after the humans have destroyed themselves. All that&#8217;s left, that is, except for malevolent machines. </p>
<p>The only real flaw, I thought, in the film, was its ending, which was surprisingly pat given the inventiveness of the rest of the story (and the storytelling team that&#8217;s behind it).  The surviving beings are left to make of the world what they will, hopefully doing a better job than those who came before.  It&#8217;s not a <em>bad</em> message, just a little . . . simplistic? unreflective? I&#8217;m not sure. I was not left satisfied. It shoehorned in a sort of adam-and-eve theme that explained the need for the one female voice actor in film otherwise full of male voices &#8212; not that I opposed having a female character: I was kinda waiting for one to show up. But I also object to specifically creating one so that the end of the film contains the possibility of some sort of hetero reproductive model of future civilization. Personally? <a href="http://bookmobilize.wordpress.com/2009/10/31/cataloging-stitchpunks-in-the-movie-9-libraries-in-the-mainstream/">I&#8217;d put my money with the librarians</a>. </p>
<p>That small critique aside, it was a gloriously realized world with great heroes and villains, and I heartily recommend it to y&#8217;all. Best wishes for the week ahead.</p>
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