<?xml version="1.0" encoding="UTF-8" standalone="yes"?><oembed><version><![CDATA[1.0]]></version><provider_name><![CDATA[the feminist librarian]]></provider_name><provider_url><![CDATA[http://thefeministlibrarian.com]]></provider_url><author_name><![CDATA[Anna Clutterbuck-Cook]]></author_name><author_url><![CDATA[https://thefeministlibrarian.com/author/feministlib/]]></author_url><title><![CDATA[that is enough]]></title><type><![CDATA[link]]></type><html><![CDATA[<p><em>I spoke with Atlin Merrick on Twitter about my experience writing drabbles and was invited to lightly revise those observations for this piece. It appears under my </em>nom de plume<em> elizajane, in Spark! No. 29 (8 May 2018) the newsletter from <a href="https://improbablepress.co.uk/">Improbable Press</a>.</em></p>
<p>For the past three years I’ve run a 14-day drabble challenge (<a href="https://improbablepress.us14.list-manage.com/track/click?u=0b3c41ccca3b1f531445341f9&amp;id=d85c7e87a4&amp;e=0c96e555b1" target="_blank" rel="noopener">#TwelvetideDrabbles</a>) around Christmas time. It&#8217;s the only time I write 100-word stories, but I love the discipline of it.</p>
<p>The challenge of looking at the daily prompt and thinking about how to create and resolve narrative tension in a way that speaks to the prompt, is true to the characters and relationship I’m writing, <em>and </em>comes in at exactly 100 words (a personal challenge I set myself). Each year, I write the drabbles around a particular couple and post the individual drabbles as chapters of a 1,400 word story—but each chapter still has to stand on its own as a scene.</p>
<p>I usually begin with an idea, a moment, an interaction, that has to be trimmed away and trimmed away in both concept and language. An evening needs to be distilled into a moment; a post-coital conversation into a single exchange. The first draft will be three hundred words, easy, and then I have to go back make sure each word I keep is <em>essential </em>as I slash and burn.</p>
<p>I typically write much longer fic—it’s rare for me to drop below 1,000 words—so drabbles are a change of pace that I have come to look forward to, in the waning of the year. Sometimes they end up prompting something longer that I take up later, but not always. There&#8217;s a freedom in that, in writing an idea in such a compressed space, and letting it go, saying: that is enough.</p>
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